"To be sure you don't," said Stingaree, with as much sweetness as his character would permit. "You sing for charity, and spend three times as much as you are ever likely to make in arraying yourself for the occasion. Well, we must put up with some song-bird without fine feathers, for I mean to hear the programme out." His eyes ranged the front rows till they fell on Hilda Bouverie in her corner. "You young lady over there! You've been talking since I called for silence. You deserve to pay a penalty; be good enough to step this way."
Hilda's excitement may be supposed; it made her scandalously radiant in that company of humiliated men and women, but it did not rob her of her resource. Removing her shawl with apparent haste, but with calculated deliberation, she laid it in a bunch upon the seat which she had occupied, and stepped forward with a courage that won a cheer from the back rows. Stingaree stooped to hand her up to the platform; and his warm grip told a tale. This was what he had come for, to make her sing, to make her sing before Sir Julian Crum, to give her a start unique in the history of the platform and the stage. Criminal, was he? Then the dearest, kindest, most enchanting, most romantic criminal the world had ever seen! But she must be worthy of his chivalry and her chance; and, from the first, her artistic egoism insisted that she was.
Stingaree had picked up a programme, and dexterously mounted it between hammer and cartridge of the revolver which he had momentarily relinquished, much as a cornet-player mounts his music under his nose. With both weapons once more levelled, he consulted the programme now.
"The next item, ladies and gentlemen," said he, "is another pianoforte solo by this young lady. We'll let you off that, Miss Bouverie, since you've got to sing. The next song on the programme is called 'The Unrealized Ideal,' and the music is by our distinguished visitor and patron, Sir Julian Crum. In happier circumstances it would have been sung to you by Mrs. Montgomery Clarkson; as it is, I call upon Miss Bouverie to realize her ideal and ours, and on Sir Julian Crum to accompany her, if he will."
At Mrs. Clarkson's stony side the great man dropped both arms at the superb impudence of the invitation.
"Quite right, Sir Julian; let the blood run into them," said Stingaree. "It is a pure oversight that you were not exempted in the beginning. Comply with my entreaty and I guarantee that you shall suffer no further inconvenience."
Sir Julian wavered. In London he was a club-man and a diner-out; and what a tale for the Athenæum—what a short cut to every ear at a Kensington dinner-table! In the end it would get into the papers. That was the worst of it. But in the midst of Sir Julian's hesitation his pondering eyes met those of Miss Bouverie—on fire to sing him his own song—alight with the ability to do it justice. And Sir Julian was lost.
How she sang it may be guessed. Sir Julian bowed and swayed upon his stool. Stingaree stood by with a smile of personal pride and responsibility, but with both revolvers still levelled, and one of them cocked. It was a better song than he had supposed. It gained enormously from the composer's accompaniment. The last verse was softer than another would have made it, and yet the singer obeyed inaudible instructions as though she had never sung it otherwise. It was more in a tuneful whisper than in hushed notes that the last words left her lips:—
"Lightly I sped when hope was high,
And youth beguiled the chase;
I follow—follow still; but I
Shall never see her Face."
The applause, when it came, was almost overwhelming. The bushranger watched and smiled, but cocked his second pistol, and let the programme flutter to the floor. As for Sir Julian Crum, the self-contained, the cynical, he was seen for an instant, wheeled about on the music-stool, grasping the singer by both hands. But there was no hearing what he said; the girl herself heard nothing until he bellowed in her ear: