“No, but please stop here.”
“Very well. Here we are, then, and it's only six past. But why not drive right on to the theatre—that's what I want to know?”
Missy hesitated, and hesitated, until she saw the old man peering into her face through the darkness that seemed to have fallen during the last five minutes. Then she dropped her eyes. They had pulled up alongside the deep-cut channel between road-metal and curb-stone, whereby you shall remember the streets of Melbourne. Nobody appeared to be taking any notice of them.
“I see,” said David very gently. “And I don't wonder at it. No, Missy, it's not at all the sort of turn-out for your friends to see you in. Jump down, my dear, and I'll just drive alongside to see that nothing happens you. But I won't seem to know you, Missy—I won't seem to know you!”
Lower and lower, as the old man spoke, the girl had been hanging her head; until now he could see nothing of her face on account of her fringe; when suddenly she raised it and kissed his cheek. She was out of the buggy next moment.
She walked at a great rate, but David kept up with her by trotting his horse, and they exchanged signals the whole way. Close to the theatre she beckoned to him to pull up again. He did so, and she came to the wheel with one of her queer, inscrutable smiles.
“How do you know,” said she, “that I'm Miriam Oliver at all?”
The rays from a gas-lamp cut between their faces as she looked him full in the eyes.
“Why, of course you are!”
“But how do you know?”