"I have been talking utter nonsense to you, Ruth," she whispered as they walked away; "but it was kind of you to let me go on and on. One has sometimes to say a lot more than one means to get out a little that one does mean; you must try to separate the little from the lot. I've been talking on tiptoe—it was good of you not to push me over!"

They crossed the bridge, throbbing beneath the tread of many feet; in the Mall, under the half-clothed trees, they hailed a hansom, and Ruth greeted her reflection in the side mirror with a sigh of relief.

"We should never have done this if we hadn't been Australians," she remarked, as though exceedingly ashamed of what they had done, as indeed she was.

"Then that's one more good reason for thanking Heaven we are Australians!" answered Tiny, with some of her old spirit. "You may think differently, Ruth, but for my part that's the one point on which I have still some lingering shreds of pride."

And that was how Tiny Luttrell opened her heart a second time to Ruth, her sister, who was of less comfort to her even than before, because now her open heart was also the cradle of a waking soul. More things than one need name, for they must be obvious, had of late worked together toward this awakening, until now the soul tossed and struggled within a frivolous heart, and its cries were imperious, though ever inarticulate. To Ruth they were but faint echoes of the unintelligible; scarce hearing, she was contented not to try to understand. When Tiny said she had been "talking on tiptoe," to Ruth's mind that merely expressed a queer mood queerly. She did not see how accurately it figured the young soul straining upward; indeed the accuracy was unconscious, and Christina herself did not see this.

Queer as it may have been, her mood had made for nobility, and was, therefore, memorable among the follies and worse of which, unhappily, she was still in the thick. It passed from her not to return, yet to lodge, perhaps, where all that is good in our lives and hearts must surely gather and remain until the spirit itself goes to complete and to inhabit a new temple, and we stand built afresh in the better image of God.

CHAPTER XVI.
FOREIGN SOIL.

There is in Cintra a good specimen of the purely Portuguese hotel, which is worth a trial if you can speak the language of the country and eat its meats; if you want to feel as much abroad as you are, this is the spot to promote that sensation. The whole concern is engagingly indigenous. They will give you a dinner of which every course (there must be nearly twenty) has the twofold charm of novelty and mystery combined; and you shall dine in a room where it is safe, if unsportsmanlike, to criticise aloud your fellow-diners, when their ways are most notably not your ways. Then, after dinner, you may make music in a pleasant drawing room or saunter in the quaint garden behind the hotel; only remember that the garden has a view which is necessarily lost at night.

The view is good, and it improves as the day wears on by reason of the beetling crag that stands between Cintra and the morning sun. So close is this crag to the town, and so sheer, that at dawn it looms the highest mountain on earth; but with the afternoon sunlight streaming on its face you see it for what it is, and there is much in the sight to satisfy the eye. Halfway up the vast wall is forested with fir trees picked out with bright villas and streaked with the white lines of ascending roads. The upper portion is of granite, rugged and bare and iron gray. The topmost angle is surmounted by square towers and battlements that seem a part of the peak, as indeed they are, since the Moors who made them hewed the stones from the spot; and the serrated crest notches the sky like a crown on a hoary head. Finer effects may recur very readily to the traveled eye, but to one too used to flat regions this is fine enough: thus Tiny Luttrell was in love with Cintra from the moment when she and Ruth and Erskine first set foot in the garden of the Portuguese hotel, and let their eyes climb up the sunlit face of the rock.