"That may be, sir, but the Estate ain't what it was," declared Sarah, with pregnant superiority. "There's some queer people come since I was with pore Mr. Nettleton."
"What about Mr. Nettleton himself, Sarah?"
"Mr. Nettleton was always a gentleman, sir, though he did try to set fire to the 'ouse with my methylated."
I left the old dame bobbing in the doorway, and went to look for Uvo in the wood. I swear I had no thought of spying upon him. What could there be to spy upon, at half-past nine at night, with Captain Ricardo safe and grumbling at his own fireside? I had been wasting my last evening at a club and in the train, and I did not want to miss another minute of Uvo Delavoye's society.
It was an exquisite night, the year near its zenith and the moon only less than full. The wood was changed from a beautiful bright picture into a beautiful black photograph; twig and leaf, and silent birds, stood out like motes in the moonbeams. But there were fine intervals of utter darkness, wide pools and high cascades of pitch, with never a bubble in the way of detail. And there was one bird to be heard, giving its own glory to the glorious night. But I was not long alive to the heavenly song, or to the beauty of the moonlit wood.
I had entered by way of a spare site a little higher up than the Delavoyes', who, unlike some of their newer neighbours, had not a garden gate into the wood. I had penetrated some score yards into the pitch and silver of leafy tree and open space when I became aware that someone else had entered still higher up, and that our courses were converging. I thought for a moment that it might be Uvo; but there was something halt yet stealthy about the unseen advance, as of a shackled man escaping; and I knew who it was before I myself stole and dodged to get a sight of him. It was Captain Ricardo, creeping clumsily, often pausing to lean hard upon his tremendous stick. At first I thought he had two sticks; but the other was not one; the other was a hunting crop, for I saw the lash unloosed in one of the pauses, and a tree-trunk flicked again and again, about the height of a man's shoulder, as if for practice.
When the limping, cringing figure again proceeded on its way, the big stick was in the left hand, the crop in the right, and I was a second sneak following the first, in the direction of the Temple of Bacchus.
I saw him stop and listen before I heard the voices. I saw the crop raised high in the moonlight, as if in the taking of some silent vow, and I lessened the distance between us with impunity, for he had never once looked round. And now I too heard the voices; they were on the other side of the temple wall; and this side was laved with moonlight, so that the edges of the crumbling stucco made seams of pitch, and Ricardo's shadow crouched upon the wall for a little age before his bent person showed against it.
Now he was at one end of the wall, peeping round, listening, instead of showing himself like a man. My blood froze at his miserable tactics. I had seen men keep cover under heavy fire with less precaution than this wretch showed in spying on his guilty wife; yet there was I copying him, even as I had dogged him through the wood. Now he had wedged himself in the heavy shadow between the wall and the one whole pillar at right angles to the wall; now he was looking as well as listening. And now I was in his old place, now I was at his very elbow, eavesdropping myself in my watch and ward over the other eavesdropper.
The big stick leant against the end of the wall, just between us, nearer to my hand than his. The man himself leant hard against the pillar, the crop grasped behind him in both hands, its lash dangling like the tail of a monster rat. Those two clasped hands were the only part of him in the moonlight, and I watched them as I would have watched his eyes if we had been face to face. They were lean, distorted, twitching, itching hands. The lash was wound round one of them; there might have been more whipcord under the skin.