CHAPTER XXIV.
YOUNG INK.
So it was that Harry Ringrose took finally to his pen towards the close of the most momentous year of his existence; for four years from that date there was but one sort of dramatic interest in his life. There was the dramatic interest of the electric bell; and that was all.
In the early days, when the roll of the little steel drum broke a silence or cut short a speech, the eyes of mother and son would meet involuntarily with the same look. Her needles would cease clicking. His pen would spring from the unfinished word. Each had the other's thought, and neither uttered it. Many a man had fled the country in his panic, to pluck up courage and return in his cooler senses. Many a man effaced himself for a time, but few for ever. The ironmaster's last letter confessed flight and promised self-effacement. He might have thought better of it—that might be he at the bell. One of the two within got over this feeling in time; the other never did.
The dogged plodder at the desk endured other heartburnings of which the little steel drum beat the signal. Knockers these flats had not, and the postman usually rang a second before he thrust the letter through the door. It was a breathless second for Harry Ringrose. He developed an incredibly fine ear for what came through. He was never deceived in the thud of a rejected manuscript. He used to vow that a proof fell with peculiar softness, and, later, that a press-cutting was unmistakable because you could not hear it fall. He had an essay on the subject in his second book, published when he was twenty-five.
His first book had been one of the minor successes of its season. It had made a small, a very small, name for Harry, but had developed his character more than his fame. It is an ominous coincidence, however, that in conception his first book was as barefaced and as cold-blooded as his first verses in Uncle Tom's Magazine.
For nearly three years he had been writing up, for as many guineas as possible, those African anecdotes which he had brought home with him for conversational purposes. In this way he had wasted much excellent material, to which, however, he was not too proud to return when he knew better. Heaven knows how many times he used the lion in the moonlight and his friend the Portuguese murderer of Zambesi blacks. One would have thought—he thought himself—that he had squeezed the last drop from his African orange, when one fine day he saw the way to make the pulp pay better than the juice. It was not his own way. It was the way of the greatest humorist then living. Harry took the whole of his two years abroad, and eyed them afresh from that humorist's point of view, as he apprehended it. He saw the things the great man would have seized upon, and the way it seemed to Harry he would have treated them. The result was a comic lion in the moonlight, and a more or less amusing murderer. He had treated these things tragically hitherto.
The book purported to be fact, and was certainly not fiction, for which, indeed, our young author had no definite aptitude. It earned him an ambiguous compliment from various reviewers who insisted on dubbing him the English So-and-so; but it was lucky for Harry that the new humour was then an unmade phrase. His humour was not new, but that would not have saved it from the category. It was keen enough, however, in its way, and not too desperately subtle for the man on the knifeboard. Yet Harry's first book, after "going" for a few weeks, showed a want of staying power, and was but a very moderate success after all. A few papers hailed Mr. Ringrose as the humorist for whom England had been sighing since the death of Charles Dickens, and predicted that his book would be the book of the season and of many seasons to come. Such enthusiasm was inevitable from organs which let loose at least one genius a week; but Harry did not realise the inevitability all at once. For a week or two he could not give his name in a shop without a wholly unnecessary blush; while he took his mother to look at empty houses in West End squares, thanks to indiscriminate praise from irresponsible quarters. On the whole, however, Harry had no reason to complain of the treatment accorded to his first-born; and, to descend to lower details, he sold the copyright for a small sum, which was, nevertheless, quite as much as the publishers could possibly have made out of it.
But it was in indirect ways that this book did most for Harry Ringrose. It made new friends for him at a time when his acquaintance was badly in need of some fresh blood. Years of immersion in solitary work must narrow and may warp a man; and the almost exclusive companionship of his dear mother, whose only interest he was in the present, and who vastly overrated his merits, was a joy too great not to be purchased at a price. It kept the lad's heart tender and his life of fair report, but it tended to monopolise his sympathies, and it did not increase his knowledge of the outside world. In the world of letters he had made but one friend in those first three years. This was a youth of Harry's own age, who, with a board-school education, was on the staff of an evening paper, in a position which the public-school boy was certainly not competent to fill. Harry stormed this fortress with a little article on "Portuguese Africa"—which the Editor would label "By an Afrikander"—and the acquaintance was struck up outside that gentleman's door. It ripened in a bar to which the young fellows used to repair whenever Harry was in the Strand. There, over a glass of bitter—or two—or three—he used to hear at first hand of the great novelists whom he longed to meet, but with whom his friend the journalist seemed on enviable terms. It was merely that the latter was in the heart of the big game, whereas Harry was playing a very little game of his own, in an exceedingly remote corner of the field.
His book was not a huge success, but it succeeded well enough to take him out of his corner. His friend the journalist (who managed to review the thing himself in his paper) wrote to tell Harry of a distinguished lady who was so enchanted with it that she begged him to take the author to see her. Harry had no means of knowing that the lady's enchantment was as chronic as the enthusiasm of the paper which had hailed him as a genius, and that the demand was not for himself, but for the latest name. He was still a very simple-minded person, and he waited on this lady with all alacrity, and under her wing made his bow in the sort of society of which he had heard with envy in the Gaiety bar. It cannot be said, however, that he did anybody much credit; he had been too long in his corner, and had an awkward manner when not perfectly at home. Yet a number of other ladies asked him to go and see them, and one invited him to dinner at her smart house—where the wretched Harry distinguished himself by freezing into a solid block of self-consciousness and hardly opening his mouth.
But it was all very valuable experience, and, instead of two or three, he knew a good many people by the end of that winter. He became a member of a club, and got on intimate terms with men whose names and work had become familiar to him in these years. They enlarged his sympathies—they extended his boundaries on every side. And they made him know himself as he had not known himself before. All at once he realised that he had fewer interests than other men, that his nose had been too close to his own grindstone, that the mind he had been slaving to develop had grown narrow in the process. It was a rather bitter discovery, until one day it struck him there was another side to narrowness, and he sat down and began his "Plea for Narrow Minds" on the spot. This article secured a better place in the periodicals than anything Harry Ringrose had then written. It attracted some attention during the month of its appearance, and even on republication in his second book. But it was generally considered a frivolous adventure in mere paradox (on a par with a companion paper "On Enjoying Bad Health"), whereas it was really a reaction against the writer's own self-criticism.