It is, I say, to be feared that designers of bookplates have sacrificed the primary aim of their calling to the elaboration of playful fancies. From the very birth of the bookplate the fault seems to have been present. I am told that the earliest specimens date back to 1516, and on the Continent, notably in Germany, even earlier than that. Far back into the ages must we travel to find the first offenders. Let the interested book-lover examine the ancient examples presented in 1574 by Sir Nicholas Bacon to the University of Cambridge. He will then see pretty clearly how the war has been waged between the pictorial and the practical, and how, all along the line, the victory has been with the former. And what wonder with such mighty craftsmen as Albrecht Durer, Lucas Cranach, and Hans Holbein to wield the steel point of the engraver! Can one be surprised if such men defeat the chief aim of the bookplate, and put to silence with their wonderful skill the simple cry Ex Libris? Bookplates by Durer, Cranach, or Holbein must surely give great value to the volumes in which they rest. Note the danger! True book-lovers will blush to own it, but we must acknowledge the fact that a bookplate may have greater attractions than the volume in which it rests!

Wherefore, I say, we book-lovers will be well advised if we see to it that we do not fall into the error of keeping on our shelves books which may be coveted for the plates they contain. Bookplates in the delicate manner of Chippendale, with ‘wreath and ribbon’ and open shell work, are too alluring. Designs in the manner of Sheraton are also dangerously attractive. Jacobean plates come nearer the desired mark. But to my mind the good old English style of plate, ‘simple armorial,’ is best fitted for the purpose.

Always must we remember that the primary object of the bookplate is a reminder to those who borrow. On this score I am disposed to favour those inexpensive modern plates in which are interwoven some dear, familiar scene—a nook or corner of one’s garden, or a beloved scene in one’s native place. If the ruthless borrower has aught of good in him, surely he will be affected by such tender personal associations! But we have seen that the average borrower of books is a strange fellow. Alas! I know him only too well. Indeed, I too must confess that ‘out of an intimate knowledge of my own sinful ways have I spoken.’

IX
BEDSIDE BOOKS

I come to my subject in a sleepy mood. It seems a daring confession to make. But you will allow that only when one’s mind is bent on thoughts of sleep can one hope to speak fittingly of bedside books. ’Tis a subject calling for gentle, quiet thoughts. And what better state of mind? You remember Robert Louis Stevenson’s prayer, ‘Give us the quiet mind.’ How often has a similar prayer been offered! Too often are we disturbed in thought—harassed, perplexed, worried. Let us now turn our attention to books that soothe and lull to rest. Here they stand, ready to hand. But name them I dare not, save in my own heart. For your taste in this matter may be totally different from mine. I dare only say at this point—for here surely I may speak with confidence—that no bedside shelf is complete without a copy of Stevenson’s prayers. With gratitude I confess that of the many volumes which have comforted me during dark hours not one is so dear, so close to my heart, as the little volume bearing the golden letters R. L. S.

‘Be with our friends, be with ourselves. Go with each of us to rest. If any awake, temper to them the dark hours of watching; and when the day returns, return to us our sun and comforter, and call us up with morning faces and with morning hearts—eager to labour: eager to be happy, if happiness be our portion; and if the day be marked for sorrow, strong to endure it.’ Certainly the prayers of R. L. S. should have a place on every bedside shelf. That you are familiar with the foregoing prayer, I cannot doubt. ‘Many are the golden passages the lover of good books has by heart.’ It may be that you have upon your own particular bedside shelf many ‘devotional authors’ with whose every word you are familiar—books, small and great, which are as jewels in your shelf. And no doubt you have upon the same shelf many every-day and every-hour books, acting, as it were, as a setting to your gems. For certainly the bedside shelf, if it is to be complete, must contain books to suit all moods. One cannot be certain in what mood the night watches will find one. The over-excited brain, for instance, needs its own particular medicine, and sometimes two, three, or more drugs are required, according to the state and nature of the patient. In the majority of cases it is futile to attempt a cure with a book less lively than the patient’s own brain. His abnormal condition must be righted by degrees. One book, or drug, must follow another, till his mind has been restored to a normal state. Then may he resort to his accustomed ‘rest books,’ and so fall asleep.

But I fear that such talk ‘smacks’ of the doctor and his medicine chest, and I desire to conjure up restful thoughts. Well may the reader be forgiven if he starts up in protest. Indeed, here is the difficulty and the danger of seeking to promote a restful condition. One is so apt to make, with the best intentions possible, a remark which has the reverse effect. There is, I say, the risk of naming a book which to the reader might come as a call to action—to daring deeds and mighty enterprises—a mood as far removed from slumber as the North Pole from the South.

I may, however, speak freely enough in the company of book-lovers who wake with the rising sun and take to themselves one of their beloved books. They will not resent my likes and dislikes—they who open the day with a ‘jolly good book.’ In their company I may confess that for the early morning I prefer a book with plenty of ‘go’ in it. Give me life and spirit and enterprise. Thus may I hope to retain some measure of the buoyancy of youth. It is good to have been young in youth, and, as the years go, to grow younger. ‘Many,’ it is written, ‘are already old before they are through their teens; but to travel deliberately through one’s ages is to get the heart out of a liberal education. Times change, opinions vary to their opposite, and still the world appears a brave gymnasium, full of sea-bathing, and horse exercise, and bracing, manly virtues; and what can be more encouraging than to find the friend who was welcome at one age welcome at another?’

Let Westward Ho! stand on your bedside shelf, and many other books of the same brave and lively order—‘the travel and adventure books of our spirited youth.’ These, if you meet fresh days with a book, will brace you for the battle. Stevenson must, of course, remain one of your companions—your faithful friend both night and morning. Bravery he will give you, and grace also.

Forth from the casement, on the plain