OLD CANNIBAL CHIEF WHOM THE ARTIST MET ON THE ISLAND OF AOBA, NEW HEBRIDES.
To meet a burly native with elaborate ear-rings, an ivory spike through his nose, and his face well marked, with a collar and dickey hanging round his neck, seems absolutely ridiculous, but the proud possessor of such a costume will strut about as if he were the best-dressed man in the islands. As may be supposed they look particularly coy, some of them, and only require a banjo and a pair of trousers to make ideal Christy Minstrels. The humour of their costumes, needless to say, does not strike them, and their less-clothed neighbours look on them with envy, whilst the girls bill and coo at the {174} sight of them—such is fashion. A tappa loin-cloth, similar to the Fijian cloth, was originally the fashion amongst the women in parts of this group of islands, prior to the coming of the white man, and it was held round the waist by a belt of fibre and ornamented with coloured or stained grass. But, back in the bush, the married women were the only ones who wore anything that could be really called a costume, the younger women’s attire being only flimsy grass mats made of streamers, and tied round their waists—which from a point of decency would be equal to a piece of mosquito netting. The men were always clothed to a certain extent, owing to a peculiar belief they hold that they must not be seen naked.
Feathers play a prominent part in head dress on special occasions, such as at the dance I have already mentioned. The hair is never shaved off the men’s heads but left to grow wild, and some of them possess very fine beards and moustaches, but all cannot boast such growth. I have seen a good few with moustaches like boarding-house tooth-brushes.
Tattooing is not common, but cicatrices are, and most men bear curious marks on their bodies. These are made when they are quite young by cutting a pattern on the skin and then continually {175} removing the scab until a deep kind of scar is formed. It takes a long time to become perfect, but when it is they are exceedingly proud of it.
TYPE OF MAN FROM THE ISLAND OF TANNA, NEW HEBRIDES
Paint is sometimes used for decorating their faces and bodies in place of tattooing, but it is very ugly and disfigures both the men and women. Red, black, and white are the chief colours used, and no particular design characterises the work; the painter generally puts what his fancy suggests, and no meaning is attached to it, as is generally the case with the native markings.
The women are the workers here as elsewhere, and at basket-making and mat-plaiting they are splendid hands. Clothes used to be made by them and bartered for food to villagers on the coast. The mats are made from fibre, which in its turn is made from the pandanus leaf by cutting it into long shreds with a piece of shell and then allowing it to dry. Most of the mats have some sort of a pattern on them, and are now greatly prized by collectors. In the New Hebrides they are put on the floor of the huts, and are also used as screens to cut off the sleeping apartments from the day room. Some more artistic than others are fringed with feathers or tassels of discoloured grass. These, however, are generally made to sell to the tourist. {176}
Baskets are also manufactured in some of the islands. Pottery, however, is a forgotten art here, and a legend accounting for the number of old and broken pieces which may still be found in the bush is worth relating.
The natives believe that their islands at one time in the world’s history were brought up out of the sea by a beautiful goddess, Li Maui Tukituki; they say that when the world was quite new she was carrying home some water in jars, but, owing to the rocky state of the land she spilled the water, which made her so angry that she threw the jars at the ground and in that way punished it and made it still. From that day to this it has not moved. So tradition says, and these broken pieces of pottery are known as the water jars of Li Maui Tukituki and are held in great reverence by the natives.