Meanwhile, Professor Wehlau paid his respects to the Countess Steinrück, whom he had not seen for several years, and who received him very cordially. She never forgot that he had once left important and pressing affairs of his own to hasten to her husband's deathbed. To his inquiries concerning her health she replied by complaints of her invalid condition, expressing a desire to avail herself of his advice, although aware that he had for many years ceased to practise medicine. The Professor courteously declared himself always ready to make an exception in her case, and placed himself entirely at her disposal. Thus the best of understandings was established between them, when the Countess unfortunately touched upon a dangerous subject. "I have an appointment at your son's for tomorrow. He tells me that his large picture is almost entirely finished and is to be placed on exhibition next week. I am very anxious for a private view of it beforehand, since it is already mine, as you are probably aware."
"Yes," replied the Professor, laconically, his good humour all gone. Hans had triumphantly announced to him that his picture had been bought from the easel, and by the Countess Steinrück, who now innocently asked,--
"And what do you say to this work of our young artist?"
"Nothing at all; I have never even seen it," was the curt reply.
"What! His studio is in your garden."
"Unfortunately. But I have never set foot inside it, and mean never to do so."
"Still so implacable?" said the Countess, reproachfully. "I grant that the game that your son played with you was rather audacious and very provoking, but you must be convinced by this time that so talented and highly gifted a nature is not fitted for cold, grave, scientific pursuits."
"There you are right, madame," the Professor interrupted her, somewhat harshly. "The lad is fit for nothing serious or sensible, and may be a painter for all that I care."
"Do you estimate Art so meanly? I should have thought it of equal rank with Science."
Wehlau shrugged his shoulders with all the arrogance of the scholar who holds no calling equal in rank to his own, and by whom Art is regarded, more or less, as a plaything. "Yes, yes, pictures look very pretty in a drawing-room, I do not deny, and you have a whole gallery of them at Berkheim. This latest acquisition of yours will find a place among them."