"I didn't notice any taxis in the corridors," smiled Minot. "Here—wait a minute." He tossed the boy a coin. "Your fare back home. If you get stranded on the way, telegraph."
The boy departed, and Minot continued to gaze out. Directly across from his window, looking strangely out of place in that dead and buried street, stood a great stone house that bore on its front the sign "Manhattan Club and Grill." On the veranda, flush with the sidewalk and barely fifteen feet away, a huge red-faced man sat deep in slumber.
Many and strange pursuits had claimed the talents of old Tom Stacy, manager of the Manhattan Club, ere his advent in San Marco. A too active district attorney had forced the New York police to take a keen interest in his life and works, hence Mr. Stacy's presence on that Florida porch. But such troubles were forgot for the moment. He slumbered peacefully, secure in the knowledge that the real business of the club would not require his attention until darkness fell. His great head fell gradually farther in the direction of his generous waist, and while there is no authentic evidence to offer, it is safe to assume that he dreamed of Broadway.
Suddenly Mr. Stacy's head took another tilt downward, and his Panama hat slipped off to the veranda floor. To the gaze of Mr. Minot, above, there was revealed a bald pate extensive and gleaming. The habitual smile fled from Minot's face. A feeling of impotent anger filled his soul. For a bald head could recall but one thing—Jephson.
He strode from the window, savagely kicking an innocent suit-case that got in his way. What mean trick was this fate had played him as he entered San Marco? To show to him the one girl in all her glory and sweetness, to thrill him through and through with his discovery—and then to send the girl scurrying off to announce her engagement to another man! Scurvy, he called it. But scurvier still, that it should be the very engagement he had hastened to San Marco to bring to its proper close—"I do," and Mendelssohn.
He sat gloomily down on the bed. What could he do? What save keep his word, given on the seventeenth floor of an office building in New York? No man had yet had reason to question the good faith of a Minot. His dead father, at the beginning of his career, had sacrificed his fortune to keep his word, and gone back with a smile to begin all over again. What could he do?
Nothing, save grit his teeth and see the thing through. He made up his mind to this as he bathed and shaved, and prepared himself for his debut in San Marco. So that, when he finally left the hotel and stepped out into San Sebastian Avenue, he was cheerful with a dogged, boy-stood-on-the-burning-deck cheerfulness.
A dozen negroes, their smiles reminiscent of tooth powder advertisements, vainly sought to cajole him into their shaky vehicles. With difficulty he avoided their pleas, and strolled down San Marco's main thoroughfare. On every side clever shopkeepers spread the net for the eagle on the dollar. Jewelers' shops flashed, modistes hinted, milliners begged to present their latest creations.
He came presently to a narrow cross street, where humbler merchants catered to the Coney instinct that lurks in even the most affluent of tourists. There gaudy souvenir stores abounded. The ugly and inevitable alligator, fallen from his proud estate to fireside slipper, wallet, cigar case, umbrella stand, photograph album and Lord-knows-what, was head-lined in this street. Picture post-cards hung in flocks, tin-type galleries besought, news-stands, soda-water fountains and cheap boarding-houses stood side by side. And, every few feet, Mr. Minot came upon "The Oldest House in San Marco."
On his way back to the hotel, in front of one of the more dazzling modiste's shops, he saw a limousine drawn up to the curb, and in it Jack Paddock, friend of his college days. Paddock leaped blithely from the machine and grasped Dick Minot by the hand.