After many condolences, and a general review of the Bug’s disgraceful career by Sipes, I picked up my sketching outfit and resumed my journey, depressed, as we all are, by a sense of the transience and unsolvable mystery of life, when we have stood near one who has gone.
One calm morning, about a month later, I was rowing on the lake several miles from Sipes’s shanty. A boat appeared in the distance. Its high sides, broad beam, the labored, intermittent coughing of a motor, and the doughty little bewhiskered figure on the stern seat were unmistakable. Sipes altered his course slightly so as to pass within fifty or sixty yards. I wondered why he did not come nearer. He went on by with a cheery “Wot Oh!” and a friendly wave of his hand. Evidently he was on some errand that he did not want to explain, or was afraid to stop the motor, fearing that it would not start again. In a few weeks I encountered him again, under almost identical conditions. His nets were nowhere in the vicinity.
In the early fall I found an old flat-roofed hut, built with faced logs, about six miles down the coast, in the direction that the old man had been going when I had last seen him. It was in a hollow near the top of a high bluff that faced the lake. It was effectually hidden from the water and shore by a bank of sand and tangled growth along the edge of the bluff. Built against the outside was a large dilapidated brick chimney, entirely out of proportion in size to the cabin. No smoke issued from it and the place seemed deserted. I went down to the beach. A mile or so further on I found a fisherman repairing a boat on the sand, and asked him about the cabin.
“That place is witched,” he declared. “Thar’s funny doin’s ’round thar at night an’ don’t you go near it. Thar’s a white thing that dances on the roof. It goes up an’ down an’ out o’ sight, an’ then thar’s a big thunderin’ noise. I don’t want to know no more ’bout it’n I know now. It don’t look right to me. I seen a wild man ’round ’ere in the woods once’t, a couple o’ years ago, an’ mebbe he lived thar an’ ’e’s dead an’ ’e hants that place. I don’t come ’round ’ere often an’ I don’t want to.”
THE “BOGIE HOUSE” (From the Author’s Etching)
My curiosity was aroused and I decided to investigate the mystery when an opportunity came. About nine o’clock one night I walked up a little trail in the sand that led toward the cabin from the woods back of the bluff. There was a dim light inside that was extinguished when I carelessly stepped on a mass of dead brush that had been piled across the path. The breaking of the little sticks had made quite a noise. Immediately a long, wavy, white object appeared over the roof of the cabin. It vaguely resembled a human shape and looked peculiarly uncanny. It swayed back and forth a few times and then seemed to grow taller. The trees beyond were partially visible through it in the uncertain light. Clearly I was in the presence of a spook. The apparition vanished as suddenly as it came. Then a dull, hollow sound came from the cabin, followed by a low, rasping, ringing noise. When it ceased, the silence was weird and oppressive.
I went on by the structure to the edge of the bluff, where another pile of dry brush obstructed the path, and purposely walked on it, instead of over the high sand on the sides of the opening. The breaking sticks made more noise. I turned and again saw the spectral form over the roof. The wraith swayed slowly to the right and left, bent backward and forward a few times, grew longer and shorter, and disappeared as before.
In departing I stumbled over a board which stuck out of the sand, and in the dim light could distinguish the words “Dinnymite—Keep Out!” heavily scrawled on it with red paint.
Evidently visitors were not wanted, and the tell-tale brush-piles were designed to give alarm of the approach of intruders. The functions of the filmy ghost and the queer sounds were to inspire terror of the place.