These shadows appeared to be of various ages, some not arrived at manhood, and others far advanced in life, representing the different periods at which men desist from trying to be great. Some had given up renown as soon as they became men, others did not despair to the end of their lives, but in their old age were still preparing to be famous in spite of experience. He who means to be eminent usually fixes an early time for the first appearance of his genius: the time arrives, and his genius has not yet appeared, but this is no just cause of despair; for he has only fallen into the common error of expecting a too hasty success, and he gives a new allowance of time with the same confidence as before. In the mean time he has a comfort, that early fame is often pernicious, and his greatness will be more secure by beginning later. He is also encouraged by the celebrated men who were unknown till long after his age,—a reflection which has supported many a pensive candidate for fame. These hopes and alleviations occur at certain cheerful moments, but there are many hours when the hardship of not being famous is bitterly felt. And despair, though often deferred, must come at last, in which emergency consolation is to be sought in the notorious injustice of the world, and its ignorance of merit. The sufferer in this disaster has not mistaken his own abilities, but the judgment of other men: he has failed, not from a deficiency of true genius, but from the want of some dexterity, or fraudulent art, without which genius cannot be manifested. Thus a man encourages himself in his youthful hopes by the sagacity of the world, which insures success to real ability, and afterwards in his despair he comforts himself by the dulness of the world, which denies all opportunity to genius. After the final disappointment, therefore, he is still a great man in secret, and corrects the injustice of the world, by privately maintaining himself in his true rank. I believe it is little suspected how many of these concealed men of genius there are.
Having passed through these laborious readers, I came to a company of writers equally industrious. A crowd was here afflicted in the composition of books never to be read. Amongst these authors, I saw two or three of my acquaintance, whom I had never suspected of such practices, so carefully had they concealed their infirmity, intending, probably, to surprise the world with the sudden appearance of a great work; but through the inexorable temper of booksellers, or some other impediment, the surprise had never occurred.
The sight of these unsuspected writers confirmed an opinion I have long had, that the clandestine authors are a very numerous race. And whatever mortification there may be in finding that what we have written is not to be a book, yet a writer of this kind has great advantages by his concealment; for his work, not spreading beyond himself, he is sure of unanimous approbation, and is the only author who can securely write without censure. Besides which, while his works are confined to his desk, he may assign that to himself as an excuse for their not having been read; but he who by publication has given men an opportunity of reading him, which they have declined, has no justification. To my friends, therefore, who must write, I recommend secrecy as the best art to defend their works from censure, ridicule, neglect, feeble praise, and other calamities incident to a book.
In examining these appearances of authors, I observed that there were some of every rank in life; many of them betrayed that they could not be clothed without difficulty, while several seemed to belong to the highest order of society. All gave proofs of being affected by the force and merit of what they were writing; some appeared ready to weep for the distress which they were causing in a romance; and others were much diverted by their own wit. I saw two or three authors who could not contain their laughter at every new sentence that came from their pens. The works were of various kinds, with which all these persons were trying to enrich the world. I looked over the shoulders of some, and saw poems and novels, politics, history, divinity, and every other undertaking.
Leaving the authors, and advancing farther into the valley of lost labour, I saw a crowd of young men, who with much energy were throwing their bodies into many different postures. At first I could not imagine the purpose of this peculiar diligence, but soon discovered that these young men were in the practice of oratory, and that all the strange attitudes I saw were for parliament. As I approached the orators, I found they were reciting speeches to these gestures, each having a mirror before him, to direct that part of eloquence which lies in the arms and legs. All of them argued vehemently with their limbs, and I lamented that so many convincing gestures should have been lost.
After seeing many other lost labours, which it would be tiresome to enumerate, I left the valley, and before I had gone far, observed a pretty woman, with a disconsolate countenance, sitting to rest herself, as it appeared, from some fruitless search. I asked whether I could assist her in finding what she wanted, and she gladly accepted of my aid, informing me that she was in quest of her husband's affection, which she had unaccountably lost, two years after their marriage, and had vainly attempted to regain. She had been told that somewhere near the place where she now sat there was a receptacle for the lost affection both of husbands and wives, but she had not yet succeeded in finding it. I comforted her with observing, that a place which should contain all the lost love of married people must be of considerable extent, and therefore easily found.
We walked on together, and making inquiries, were directed to a large building where the affection which has dropped out of the bosoms of married people is preserved in the shape of small hearts, white and shining, like alabaster. On each is an inscription, recording the fault of the wife or husband, by which it had been lost. On one male heart I read "Decay of beauty," that being the wife's misconduct, by which this heart had been estranged from her. Almost every heart alleged some excellent reason for the ceasing of affection, such as a hasty temper, jealousy, dulness, vivacity, scolding, growing old, the having been married two years, with many other equally good causes for the discontinuance of domestic kindness. On some of the hearts was a blank, and no reason assigned for the alienation, which intimated that the affection of the husband or wife had not been extinguished by any violence, but had gone out of itself.
I saw a considerable number both of men and women searching for the hearts that they desired to regain. There is no name on any of these hearts, but all people were enabled to discover that which had once loved them, by a very singular property in the heart; for when they took hold of that which had formerly entertained a kindness for them, it instantly began to beat and palpitate violently, though to the eye it appeared common alabaster; but if it had never felt any passion for them it remained perfectly still.
There was an old man who seized every female heart that he met with; and as I came up to him, I heard him mutter, "This certainly beats a little." He then requested me to feel the heart, which he held in his hand, and give my judgment whether there was any thing amounting to a real palpitation while he held it. I could not perceive the least motion, except from the trembling of his hands, which greatly mortified him. He told me he had been married late in life to a young woman, who had very soon become extremely cool towards him, though he had done nothing to displease her, and always spoke to her with the greatest kindness. I represented to him that unless he was quite sure he had once been really possessed of her heart it was vain to search for it here; but he declared he was confident that when he married the lady her heart was his own, though it escaped from him in so singular a manner soon after. He then continued to try all the hearts in his way, imagining a palpitation in each.
One male heart was vehemently disputed by half-a-dozen women, each of whom pleaded a lawful claim to it, and, indeed, it actually beat whichever of them held it, thus owning a passion for them all. One of them was wife to this heart; but her right was contested by the others, on the pretence that the palpitation of the heart when she touched it was much weaker than when it was held by any of them. There were many other hearts, both male and female, which, having been pluralists, were disputed by many competitors, each of whom was able to produce a real palpitation.