A flight of marble steps, ascending from a vast court, led into a hall of great dimensions, which was at the same time an orangery and a gallery of sculpture. It was illumined by a distinct, yet soft and subdued light, which harmonised with the beautiful repose of the surrounding forms, and with the exotic perfume that was wafted about. A gallery led from this hall to an inner hall of quite a different character; fantastic, glittering, variegated; full of strange shapes and dazzling objects.
The roof was carved and gilt in that honeycomb style prevalent in the Saracenic buildings; the walls were hung with leather stamped in rich and vivid patterns; the floor was a flood of mosaic; about were statues of negroes of human size with faces of wild expression, and holding in their outstretched hands silver torches that blazed with an almost painful brilliancy.
From this inner hall a double staircase of white marble led to the grand suite of apartments.
These saloons, lofty, spacious, and numerous, had been decorated principally in encaustic by the most celebrated artists of Munich. The three principal rooms were only separated from each other by columns, covered with rich hangings, on this night drawn aside. The decoration of each chamber was appropriate to its purpose. On the walls of the ball-room nymphs and heroes moved in measure in Sicilian landscapes, or on the azure shores of Aegean waters. From the ceiling beautiful divinities threw garlands on the guests, who seemed surprised that the roses, unwilling to quit Olympus, would not descend on earth. The general effect of this fair chamber was heightened, too, by that regulation of the house which did not permit any benches in the ball-room. That dignified assemblage who are always found ranged in precise discipline against the wall, did not here mar the flowing grace of the festivity. The chaperons had no cause to complain. A large saloon abounded in ottomans and easy chairs at their service, where their delicate charges might rest when weary, or find distraction when not engaged.
All the world were at this fête of Sidonia. It exceeded in splendour and luxury every entertainment that had yet been given. The highest rank, even Princes of the blood, beauty, fashion, fame, all assembled in a magnificent and illuminated palace, resounding with exquisite melody.
Coningsby, though somewhat depressed, was not insensible to the magic of the scene. Since the passage in the gardens of the Luxembourg, that tone, that glance, he had certainly felt much relieved, happier. And yet if all were, with regard to Sidonia, as unfounded as he could possibly desire, where was he then? Had he forgotten his grandfather, that fell look, that voice of intense detestation? What was Millbank to him? Where, what was the mystery? for of some he could not doubt. The Spanish parentage of Edith had only more perplexed Coningsby. It offered no solution. There could be no connection between a Catalan family and his mother, the daughter of a clergyman in a midland county. That there was any relationship between the Millbank family and his mother was contradicted by the conviction in which he had been brought up, that his mother had no relations; that she returned to England utterly friendless; without a relative, a connection, an acquaintance to whom she could appeal. Her complete forlornness was stamped upon his brain. Tender as were his years when he was separated from her, he could yet recall the very phrases in which she deplored her isolation; and there were numerous passages in her letters which alluded to it. Coningsby had taken occasion to sound the Wallingers on this subject; but he felt assured, from the manner in which his advances were met, that they knew nothing of his mother, and attributed the hostility of Mr. Millbank to his grandfather, solely to political emulation and local rivalries. Still there were the portrait and the miniature. That was a fact; a clue which ultimately, he was persuaded, must lead to some solution.
Coningsby had met with great social success at Paris. He was at once a favourite. The Parisian dames decided in his favour. He was a specimen of the highest style of English beauty, which is popular in France. His air was acknowledged as distinguished. The men also liked him; he had not quite arrived at that age when you make enemies. The moment, therefore, that he found himself in the saloons of Sidonia, he was accosted by many whose notice was flattering; but his eye wandered, while he tried to be courteous and attempted to be sprightly. Where was she? He had nearly reached the ball-room when he met her. She was on the arm of Lord Beaumanoir, who had made her acquaintance at Rome, and originally claimed it as the member of a family who, as the reader may perhaps not forget, had experienced some kindnesses from the Millbanks.
There were mutual and hearty recognitions between the young men; great explanations where they had been, what they were doing, where they were going. Lord Beaumanoir told Coningsby he had introduced steeple-chases at Rome, and had parted with Sunbeam to the nephew of a Cardinal. Coningsby securing Edith’s hand for the next dance, they all moved on together to her aunt.
Lady Wallinger was indulging in some Roman reminiscences with the Marquess.
‘And you are not going to Astrachan to-morrow?’ said Edith.