“She is gone for your poor mother,” said Mr. Ferrars; “we are uneasy about her, my dear boy.”
Myra was some time away, and when she returned, she was alone. “She says she must see him first in her room,” said Myra, in a low voice, to her father; “but that will never do; you or I must go with him.”
“You had better go,” said Mr. Ferrars.
She took her brother’s hand and led him away. “I go with you, to prevent dreadful scenes,” said his sister on the staircase. “Try to behave just as in old times, and as if you saw no change.”
Myra went into the chamber first, to give to her mother, if possible, the keynote of the interview, and of which she had already furnished the prelude. “We are all so happy to see Endymion again, dear mamma. Papa is quite gay.”
And then when Endymion, answering his sister’s beckon, entered, Mrs. Ferrars rushed forward with a sort of laugh, and cried out, “Oh! I am so happy to see you again, my child. I feel quite gay.”
He embraced her, but he could not believe it was his mother. A visage at once haggard and bloated had supplanted that soft and rich countenance which had captivated so many. A robe concealed her attenuated frame; but the lustrous eyes were bleared and bloodshot, and the accents of the voice, which used to be at once melodious and a little drawling, hoarse, harsh, and hurried.
She never stopped talking; but it was all in one key, and that the prescribed one—her happiness at his arrival, the universal gaiety it had produced, and the merry Christmas they were to keep. After a time she began to recur to the past, and to sigh; but instantly Myra interfered with “You know, mamma, you are to dine downstairs to-day, and you will hardly have time to dress;” and she motioned to Endymion to retire.
Mrs. Ferrars kept the dinner waiting a long time, and, when she entered the room, it was evident that she was painfully excited. She had a cap on, and had used some rouge.
“Endymion must take me in to dinner,” she hurriedly exclaimed as she entered, and then grasped her son’s arm.