Love, pure and profound, had alone prompted the union between Ratcliffe Armine and Constance Grandison Doubtless, like all of her race, she might have chosen amid the wealthiest of the Catholic nobles and gentry one who would have been proud to have mingled his life with hers; but, with a soul not insensible to the splendid accidents of existence, she yielded her heart to one who could repay the rich sacrifice only with devotion. His poverty, his pride, his dangerous and hereditary gift of beauty, his mournful life, his illustrious lineage, his reserved and romantic mind, had at once attracted her fancy and captivated her heart. She shared all his aspirations and sympathised with all his hopes; and the old glory of the house of Armine, and its revival and restoration, were the object of her daily thoughts, and often of her nightly dreams.
With these feelings Lady Armine settled herself at her new home, scarcely with a pang that the whole of the park in which she lived was let out as grazing ground, and only trusting, as she beheld the groups of ruminating cattle, that the day might yet come for the antlered tenants of the bowers to resume their shady dwellings. The good man and his wife who hitherto had inhabited the old Place, and shown the castle and the pleasaunce to passing travellers, were, under the new order of affairs, promoted to the respective offices of serving-man and cook, or butler and housekeeper, as they styled themselves in the village. A maiden brought from Grandison to wait on Lady Armine completed the establishment, with her young brother, who, among numerous duties, performed the office of groom, and attended to a pair of beautiful white ponies which Sir Ratcliffe drove in a phaeton. This equipage, which was remarkable for its elegance, was the especial delight of Lady Armine, and certainly the only piece of splendour in which Sir Ratcliffe indulged. As for neighbourhood, Sir Ratcliffe, on his arrival, of course received a visit from the rector of his parish, and, by the courteous medium of this gentleman, he soon occasioned it to be generally understood that he was not anxious that the example of his rector should be followed. The intimation, in spite of much curiosity, was of course respected. Nobody called upon the Armines. This happy couple, however, were too much engrossed with their own society to require amusement from any other sources than themselves. The honeymoon was passed in wandering in the pleasure-grounds, and in wondering at their own marvellous happiness. Then Lady Armine would sit on a green bank and sing her choicest songs, and Sir Ratcliffe repaid her for her kindness with speeches softer even than serenades. The arrangement of their dwelling occupied the second month; each day witnessed some felicitous yet economical alteration of her creative taste. The third month Lady Armine determined to make a garden.
‘I wish,’ said her affectionate husband, as he toiled with delight in her service, ‘I wish, my dear Constance, that Glastonbury was here; he was such a capital gardener.’
‘Let us ask him, dear Ratcliffe; and, perhaps, for such a friend we have already allowed too great a space of time to elapse without sending an invitation.’
‘Why, we are so happy,’ said Sir Ratcliffe, smiling; ‘and yet Glastonbury is the best creature in the world. I hope you will like him, dear Constance.’
‘I am sure I shall, dear Ratcliffe. Give me that geranium, love. Write to him, to-day; write to Glastonbury to-day.’
CHAPTER III.
Arrival of Glastonbury.
ADRIAN GLASTONBURY was a younger son of an old but decayed English family. He had been educated at a college of Jesuits in France, and had entered at an early period of life the service of the Romish Church, whose communion his family had never quitted. At college young Glastonbury had been alike distinguished for his assiduous talents and for the extreme benevolence of his disposition. His was one of those minds to which refinement is natural, and which learning and experience never deprive of simplicity. Apparently his passions were not violent; perhaps they were restrained by his profound piety. Next to his devotion, Glastonbury was remarkable for his taste. The magnificent temples in which the mysteries of the Deity and saints he worshipped were celebrated developed the latent predisposition for the beautiful which became almost the master sentiment of his life. In the inspired and inspiring paintings that crowned the altars of the churches and the cathedrals in which he ministered, Glastonbury first studied art; and it was as he glided along the solemn shade of those Gothic aisles, gazing on the brave groining of the vaulted roofs, whose deep and sublime shadows so beautifully contrasted with the sparkling shrines and the delicate chantries below, that he first imbibed that passion for the architecture of the Middle Ages that afterwards led him on many a pleasant pilgrimage with no better companions than a wallet and a sketch-book. Indeed, so sensible was Glastonbury of the influence of the early and constant scene of his youth on his imagination, that he was wont to trace his love of heraldry, of which he possessed a remarkable knowledge, to the emblazoned windows that perpetuated the memory and the achievements of many a pious founder.