‘I have, however, lived to feel that no person’s opinion could influence me in everything; I have lived to find that even filial love, and God knows mine was powerful enough, is, after all, but a pallid moonlight beam, compared with———’
‘See! my father kisses his hand to us from the window. Let us run and meet him.’
CHAPTER XII.
Containing an Ominous Incident.
THE last adieus are bidden: Ferdinand is on his road to Armine, flying from the woman whom he adores, to meet the woman to whom he is betrothed. He reined in his horse as he entered the park. As he slowly approached his home, he could not avoid feeling, that after so long an absence, he had not treated Glastonbury with the kindness and consideration he merited. While he was torturing his invention for an excuse for his conduct he observed his old tutor in the distance; and riding up and dismounting, he joined that faithful friend. Whether it be that love and falsehood are, under any circumstances, inseparable, Ferdinand Armine, whose frankness was proverbial, found himself involved in a long and confused narrative of a visit to a friend, whom he had unexpectedly met, whom he had known abroad, and to whom he was under the greatest obligations. He even affected to regret this temporary estrangement from Armine after so long a separation, and to rejoice at his escape. No names were mentioned, and the unsuspicious Glastonbury, delighted again to be his companion, inconvenienced him with no cross-examination. But this was only the commencement of the system of degrading deception which awaited him.
Willingly would Ferdinand have devoted all his time and feelings to his companion; but in vain he struggled with the absorbing passion of his soul. He dwelt in silence upon the memory of the last three days, the most eventful period of his existence. He was moody and absent, silent when he should have spoken, wandering when he should have listened, hazarding random observations instead of conversing, or breaking into hurried and inappropriate comments; so that to any worldly critic of his conduct he would have appeared at the same time both dull and excited. At length he made a desperate effort to accompany Glastonbury to the picture gallery and listen to his plans. The scene indeed was not ungrateful to him, for it was associated with the existence and the conversation of the lady of his heart: he stood entranced before the picture of the Turkish page, and lamented to Glastonbury a thousand times that there was no portrait of Henrietta Armine.
‘I would sooner have a portrait of Henrietta Armine than the whole gallery together,’ said Ferdinand.
Glastonbury stared.
‘I wonder if there ever will be a portrait of Henrietta Armine. Come now, my dear Glastonbury,’ he continued, with an air of remarkable excitement, ‘let us have a wager upon it. What are the odds? Will there ever be a portrait of Henrietta Armine? I am quite fantastic to-day. You are smiling at me. Now do you know, if I had a wish certain to be gratified, it should be to add a portrait of Henrietta Armine to our gallery?’