“I wish we could induce her to give us a recitation from Alfieri,” said Mrs. Putney Giles in a whisper to Lady St. Aldegonde. “I heard it once: it was the finest thing I ever listened to.”
“But cannot we?” said Lady St. Aldegonde.
Apollonia shook her head. “She is extremely reserved. I am quite surprised that she sang; but she could not well refuse after your ladyship and your sisters had been so kind.”
“But if the Lord of the Towers asks her,” suggested Lady St. Aldegonde.
“No, no,” said Mrs. Giles, “that would not do; nor would he. He knows she dislikes it. A word from Colonel Campian, and the thing would be settled; but it is rather absurd to invoke the authority of a husband for so light a matter.”
“I should like so much to hear her,” said Lady St. Aldegonde. “I think I will ask her myself. I will go and speak to mamma.”
There was much whispering and consulting in the room, but unnoticed, as general conversation had now been resumed. The duchess sent for Lothair, and conferred with him; but Lothair seemed to shake his head. Then her grace rose and approached Colonel Campian, who was talking to Lord Culloden, and then the duchess and Lady St. Aldegonde went to Mrs. Campian. Then, after a short time, Lady St. Aldegonde rose and fetched Lothair.
“Her grace tells me,” said Theodora, “that Colonel Campian wishes me to give a recitation. I cannot believe that such a performance can ever be generally interesting, especially in a foreign language, and I confess that I would rather not exhibit. But I do not like to be churlish when all are so amiable and compliant, and her grace tells me that it cannot well be postponed, for this is the last quiet night we shall have. What I want is a screen, and I must be a moment alone, before I venture on these enterprises. I require it to create the ideal presence.”
Lothair and Bertram arranged the screen, the duchess and Lady St. Aldegonde glided about, and tranquilly intimated what was going to occur, so that, without effort, there was in a moment complete silence and general expectation. Almost unnoticed Mrs. Campian had disappeared, whispering a word as she passed to the eminent conductor, who was still seated at the piano. The company had almost unconsciously grouped themselves in the form of a theatre, the gentlemen generally standing behind the ladies who were seated. There were some bars of solemn music, and then, to an audience not less nervous than herself, Theodora came forward as Electra in that beautiful appeal to Clytemnestra, where she veils her mother’s guilt even while she intimates her more than terrible suspicion of its existence, and makes one last desperate appeal of pathetic duty in order to save her parent and her fated house:
“O amata madre,
Che fai? Non credo io, no, che ardente fiamma
Il cor ti avvampi.”