The Alhambra formed a quadrangle: all the chambers were on the basement story. In the middle of the court of the quadrangle was a beautiful fountain; and the court was formed by a conservatory, which was built along each side of the interior square, and served, like a cloister or covered way, for a communication between the different parts of the building. To this conservatory they now repaired. It was broad, full of rare and delicious plants and flowers, and brilliantly illuminated. Busts and statues were intermingled with the fairy grove; and a rich, warm hue, by a skilful arrangement of coloured lights, was thrown over many a nymph and fair divinity, many a blooming hero and beardless god. Here they lounged in different parties, talking on such subjects as idlers ever fall upon; now and then plucking a flower, now and then listening to the fountain, now and then lingering over the distant music, and now and then strolling through a small apartment which opened to their walks, and which bore the title of the Temple of Gnidus. Here, Canova’s Venus breathed an atmosphere of perfume and of light; that wonderful statue, whose full-charged eye is not very classical, to be sure; but then, how true!

While they were thus whiling away their time, Lord Squib proposed a visit to the theatre, which he had ordered to be lit up. To the theatre they repaired. They rambled over every part of the house, amused themselves with a visit to the gallery, and then collected behind the scenes. They were excessively amused with the properties; and Lord Squib proposed they should dress themselves. In a few minutes they were all in costume. A crowd of queens and chambermaids, Jews and chimney-sweeps, lawyers and Charleys, Spanish Dons, and Irish officers, rushed upon the stage. The little Spaniard was Almaviva, and fell into magnificent attitudes, with her sword and plume. Lord Squib was the old woman of Brentford, and very funny. Sir Lucius Grafton, Harlequin; and Darrell, Grimaldi. The Prince, and the Count without knowing it, figured as watchmen. Squib whispered Annesley, that Sir Lucius O’Trigger might appear in character, but was prudent enough to suppress the joke.

The band was summoned, and they danced quadrilles with infinite spirit, and finished the night, at the suggestion of Lord Squib, by breakfasting on the stage. By the time this meal was despatched the purple light of morn had broken into the building, and the ladies proposed an immediate departure.

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BOOK IV.

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CHAPTER I.

Pen Bronnock Palace

THE arrival of the two distinguished foreigners reanimated the dying season. All vied in testifying their consideration, and the Duke of St. James exceeded all. He took them to see the alterations at Hauteville House, which no one had yet witnessed; and he asked their opinion of his furniture, which no one had yet decided on. Two fêtes in the same week established, as well as maintained, his character as the Archduke of fashion. Remembering, however, the agreeable month which he had spent in the kingdom of John the Twenty-fourth, he was reminded, with annoyance, that his confusion at Hauteville prevented him from receiving his friends en grand seigneur in his hereditary castle. Metropolitan magnificence, which, if the parvenu could not equal, he at least could imitate, seemed a poor return for the feudal splendour and impartial festivity of an Hungarian magnate. While he was brooding over these reminiscences, it suddenly occurred to him that he had never made a progress into his western territories. Pen Bronnock Palace was the boast of Cornwall, though its lord had never paid it a visit. The Duke of St. James sent for Sir Carte Blanche.

Besides entertaining the foreign nobles, the young Duke could no longer keep off the constantly-recurring idea that something must be done to entertain himself. He shuddered to think where and what he should have been been, had not these gentlemen so providentially arrived. As for again repeating the farce of last year, he felt that it would no longer raise a smile. Yorkshire he shunned. Doncaster made him tremble. A week with the Duke of Burlington at Marringworth; a fortnight with the Fitz-pompeys at Malthorpe; a month with the Graftons at Cleve; and so on: he shuddered at the very idea. Who can see a pantomime more than once? Who could survive a pantomime the twentieth time? All the shifting scenes, and flitting splendour; all the motley crowds of sparkling characters; all the quick changes, and full variety, are, once, enchantment. But when the splendour is discovered to be monotony; the change, order, and the caprice a system; when the characters play ever the same part, and the variety never varies; how dull, how weary, how infinitely flat, is such a world to that man who requires from its converse, not occasional relaxation, but constant excitement!