Yet there is hope, there should be happiness, for them, for all. Kind Nature, ever mild, extends her fond arms to her truant children, and breathes her words of solace. As we weep on her indulgent and maternal breast, the exhausted passions, one by one, expire like gladiators in yon huge pile that has made barbarity sublime. Yes! there is hope and joy; and it is here!

Where the breeze wanders through a perfumed sky, and where the beautiful sun illumines beauty.

On the poet’s farm and on the conqueror’s arch thy beam is lingering! It lingers on the shattered porticoes that once shrouded from thy o’erpowering glory the lords of earth; it lingers upon the ruined temples that even in their desolation are yet sacred! ‘Tis gone, as if in sorrow! Yet the woody lake still blushes with thy warm kiss; and still thy rosy light tinges the pine that breaks the farthest heaven!

A heaven all light, all beauty, and all love! What marvel men should worship in these climes? And lo! a small and single cloud is sailing in the immaculate ether, burnished with twilight, like an Olympian chariot from above, with the fair vision of some graceful god!

It is the hour that poets love; but I crush thoughts that rise from out my mind, like nymphs from out their caves, when sets the sun. Yes, ‘tis a blessing here to breathe and muse. And cold his clay, indeed, who does not yield to thy Ausonian beauty! Clime where the heart softens and the mind expands! Region of mellowed bliss! O most enchanting land!

But we are at the park gates.

They whirled along through a park which would have contained half a hundred of those Patagonian paddocks of modern times which have usurped the name. At length the young Duke was roused from his reverie by Carlstein, proud of his previous knowledge, leaning over and announcing—

‘Château de Dacre, your Grace!’

The Duke looked up. The sun, which had already set, had tinged with a dying crimson the eastern sky, against which rose a princely edifice. Castle Dacre was the erection of Vanbrugh, an imaginative artist, whose critics we wish no bitterer fate than not to live in his splendid creations. A spacious centre, richly ornamented, though broken, perhaps, into rather too much detail, was joined to wings of a corresponding magnificence by fanciful colonnades. A terrace, extending the whole front, was covered with orange trees, and many a statue, and many an obelisk, and many a temple, and many a fountain, were tinted with the warm twilight. The Duke did not view the forgotten scene of youth without emotion. It was a palace worthy of the heroine on whom he had been musing. The carriage gained the lofty portal. Luigi and Spiridion, who had preceded their master, were ready to receive the Duke, who was immediately ushered to the rooms prepared for his reception. He was later than he had intended, and no time was to be unnecessarily lost in his preparation for his appearance.

His Grace’s toilet was already prepared: the magical dressing-box had been unpacked, and the shrine for his devotions was covered with richly-cut bottles of all sizes, arranged in all the elegant combinations which the picturesque fancy of his valet could devise, adroitly intermixed with the golden instruments, the china vases, and the ivory and rosewood brushes, which were worthy even of Delcroix’s exquisite inventions.