'Nothing can be done,' said Venetia, who, of course, could not dream of what was passing in her mother's mind.
Lady Annabel rose from her seat and walked to the window; apparently her eye watched only the passing gondolas, but indeed she saw them not; she saw only her child stretched perhaps on the couch of death.
'We quitted, perhaps, Rovigo too hastily,' said Lady Annabel, in a choking voice, and with a face of scarlet. It was a terrible struggle, but the words were uttered.
'No, mother,' said Venetia, to Lady Annabel's inexpressible surprise, 'we did right to go.'
'Even my child, even Venetia, with all her devotion to him, feels the absolute necessity of my conduct,' thought Lady Annabel. Her pride returned; she felt the impossibility of making an overture to Herbert; she looked upon their daughter as the last victim of his fatal career.
CHAPTER IX.
How beautiful is night in Venice! Then music and the moon reign supreme; the glittering sky reflected in the waters, and every gondola gliding with sweet sounds! Around on every side are palaces and temples, rising from the waves which they shadow with their solemn forms, their costly fronts rich with the spoils of kingdoms, and softened with the magic of the midnight beam. The whole city too is poured forth for festival. The people lounge on the quays and cluster on the bridges; the light barks skim along in crowds, just touching the surface of the water, while their bright prows of polished iron gleam in the moonshine, and glitter in the rippling wave. Not a sound that is not graceful: the tinkle of guitars, the sighs of serenaders, and the responsive chorus of gondoliers. Now and then a laugh, light, joyous, and yet musical, bursts forth from some illuminated coffee-house, before which a buffo disports, a tumbler stands on his head, or a juggler mystifies; and all for a sequin!
The Place of St. Marc, at the period of our story, still presented the most brilliant spectacle of the kind in Europe. Not a spot was more distinguished for elegance, luxury, and enjoyment. It was indeed the inner shrine of the temple of pleasure, and very strange and amusing would be the annals of its picturesque arcades. We must not, however, step behind their blue awnings, but content ourselves with the exterior scene; and certainly the Place of St. Marc, with the variegated splendour of its Christian mosque, the ornate architecture of its buildings, its diversified population, a tribute from every shore of the midland sea, and where the noble Venetian, in his robe of crimson silk, and long white peruque, might be jostled by the Sclavonian with his target, and the Albanian in his kilt, while the Turk, sitting cross-legged on his Persian carpet, smoked his long chibouque with serene gravity, and the mild Armenian glided by him with a low reverence, presented an aspect under a Venetian moon such as we shall not easily find again in Christendom, and, in spite of the dying glory and the neighbouring vice, was pervaded with an air of romance and refinement, compared with which the glittering dissipation of Paris, even in its liveliest and most graceful hours, assumes a character alike coarse and commonplace.
It is the hour of love and of faro; now is the hour to press your suit and to break a bank; to glide from the apartment of rapture into the chamber of chance. Thus a noble Venetian contrived to pass the night, in alternations of excitement that in general left him sufficiently serious for the morrow's council. For more vulgar tastes there was the minstrel, the conjuror, and the story-teller, goblets of Cyprus wine, flasks of sherbet, and confectionery that dazzled like diamonds. And for every one, from the grave senator to the gay gondolier, there was an atmosphere in itself a spell, and which, after all, has more to do with human happiness than all the accidents of fortune and all the arts of government.
Amid this gay and brilliant multitude, one human being stood alone. Muffled in his cloak, and leaning against a column in the portico of St. Marc, an expression of oppressive care and affliction was imprinted on his countenance, and ill accorded with the light and festive scene. Had he been crossed in love, or had he lost at play? Was it woman or gold to which his anxiety and sorrow were attributable, for under one or other of these categories, undoubtedly, all the miseries of man may range. Want of love, or want of money, lies at the bottom of all our griefs.