CHAPTER VI
It was an autumnal night; the wind was capricious and changeable as a petted beauty, or an Italian greyhound, or a shot silk. Now the breeze blew so fresh that the white clouds dashed along the sky as if they bore a band of witches too late for their Sabbath meeting, or some other mischief; and now, lulled and soft as the breath of a slumbering infant, you might almost have fancied it Midsummer Eve; and the bright moon, with her starry court, reigned undisturbed in the light blue sky. Vivian Grey was leaning against an old beech-tree in the most secluded part of the park, and was gazing on the moon.
O thou bright moon! thou object of my first love! thou shalt not escape an invocation, although perchance at this very moment some varlet sonnetteer is prating of “the boy Endymion” and “thy silver bow.” Here to thee, Queen of the Night! in whatever name thou most delightest! Or Bendis, as they hailed thee in rugged Thrace; or Bubastis, as they howled to thee in mysterious Egypt; or Diana, as they sacrificed to thee in gorgeous Rome; or Artemis, as they sighed to thee on the bright plains of ever glorious Greece! Why is it that all men gaze on thee? Why is it that all men love thee? Why is it that all men worship thee?
Shine on, shine on, sultana of the soul! the Passions are thy eunuch slaves, Ambition gazes on thee, and his burning brow is cooled, and his fitful pulse is calm. Grief wanders in her moonlit walk and sheds no tear; and when thy crescent smiles the lustre of Joy’s revelling eye is dusked. Quick Anger, in thy light, forgets revenge; and even dove-eyed Hope feeds on no future joys when gazing on the miracle of thy beauty.
Shine on, shine on! although a pure Virgin, thou art the mighty mother of all abstraction! The eye of the weary peasant returning from his daily toil, and the rapt gaze of the inspired poet, are alike fixed on thee; thou stillest the roar of marching armies, and who can doubt thy influence o’er the waves who has witnessed the wide Atlantic sleeping under thy silver beam?
Shine on, shine on! they say thou art Earth’s satellite; yet when I gaze on thee my thoughts are not of thy suzerain. They teach us that thy power is a fable, and that thy divinity is a dream. Oh, thou bright Queen! I will be no traitor to thy sweet authority; and verily, I will not believe that thy influence o’er our hearts is, at this moment, less potent than when we worshipped in thy glittering fane of Ephesus, or trembled at the dark horrors of thine Arician rites. Then, hail to thee, Queen of the Night! Hail to thee, Diana, Triformis; Cynthia, Orthia, Taurica; ever mighty, ever lovely, ever holy! Hail! hail! hail!
Were I a metaphysician, I would tell you why Vivian Grey had been gazing two hours on the moon; for I could then present you with a most logical programme of the march of his ideas, since he whispered his last honied speech in the ear of Mrs. Felix Lorraine, at dinner-time, until this very moment, when he did not even remember that such a being as Mrs. Felix Lorraine breathed. Glory to the metaphysician’s all-perfect theory! When they can tell me why, at a bright banquet, the thought of death has flashed across my mind, who fear not death; when they can tell me why, at the burial of my beloved friend, when my very heart-strings seemed bursting, my sorrow has been mocked by the involuntary remembrance of ludicrous adventures and grotesque tales; when they can tell me why, in a dark mountain pass, I have thought of an absent woman’s eyes; or why, when in the very act of squeezing the third lime into a beaker of Burgundy cup, my memory hath been of lean apothecaries and their vile drugs; why then, I say again, glory to the metaphysician’s all-perfect theory! and fare you well, sweet world, and you, my merry masters, whom, perhaps, I have studied somewhat too cunningly: nosce teipsum shall be my motto. I will doff my travelling cap, and on with the monk’s cowl.
There are mysterious moments in some men’s lives when the faces of human beings are very agony to them, and when the sound of the human voice is jarring as discordant music. These fits are not the consequence of violent or contending passions: they grow not out of sorrow, or joy, or hope, or fear, or hatred, or despair. For in the hour of affliction the tones of our fellow-creatures are ravishing as the most delicate lute; and in the flush moment of joy where is the smiler who loves not a witness to his revelry or a listener to his good fortune? Fear makes us feel our humanity, and then we fly to men, and Hope is the parent of kindness. The misanthrope and the reckless are neither agitated nor agonised. It is in these moments that men find in Nature that congeniality of spirit which they seek for in vain in their own species. It is in these moments that we sit by the side of a waterfall and listen to its music the live-long day. It is in these moments that men gaze upon the moon. It is in these moments that Nature becomes our Egeria; and, refreshed and renovated by this beautiful communion, we return to the world better enabled to fight our parts in the hot war of passions, to perform the great duties for which man appeared to have been created, to love, to hate, to slander, and to slay.
It was past midnight, and Vivian was at a considerable distance from the Château. He proposed entering by a side door, which led into the billiard-room, and from thence, crossing the Long Gallery, he could easily reach his apartment without disturbing any of the household. His way led through the little gate at which he had parted with Mrs. Felix Lorraine on the first day of their meeting.