“Pardon me, dear Mrs. Lorraine; I really have been yawning for the last hour,” said Vivian, and he moved on.
“You are speaking to one who takes her answer from the eye, which does not deceive, and from the speaking lineaments of the face, which are Truth’s witnesses. Keep your voice for those who can credit man’s words. You will go, then? What! are you afraid of a woman, because ‘tis past midnight,’ and you are in an old gallery?”
“Fear, Mrs. Lorraine, is not a word in my vocabulary.”
“The words in your vocabulary are few, boy! as are the years of your age. He who sent you here this night sent you here not to slumber. Come hither!” and she led Vivian to the window: “what see you?”
“I see Nature at rest, Mrs. Lorraine; and I would fain follow the example of beasts, birds, and fishes.”
“Yet gaze upon this scene one second. See the distant hills, how beautifully their rich covering is tinted with the moonbeam! These nearer fir-trees, how radiantly their black skeleton forms are tipped with silver; and the old and thickly foliaged oaks bathed in light! and the purple lake reflecting in its lustrous bosom another heaven? la it not a fair scene?”
“Beautiful! most beautiful!”
“Yet, Vivian, where is the being for whom all this beauty exists? Where is your mighty creature, Man? The peasant on his rough couch enjoys, perchance, slavery’s only service-money, sweet sleep; or, waking in the night, curses at the same time his lot and his lord. And that lord is restless on some downy couch; his night thoughts, not of this sheeny lake and this bright moon, but of some miserable creation of man’s artifice, some mighty nothing, which Nature knows not of, some offspring of her bastard child, Society. Why, then, is Nature loveliest when man looks not on her? For whom, then, Vivian Grey, is this scene so fair?”
“For poets, lady; for philosophers; for all those superior spirits who require some relaxation from the world’s toils; spirits who only commingle with humanity on the condition that they may sometimes commune with Nature.”
“Superior spirits! say you?” and here they paced the gallery. “When Valerian, first Lord Carabas, raised this fair castle; when, profuse for his posterity, all the genius of Italian art and Italian artists was lavished on this English palace; when the stuffs and statues, the marbles and the mirrors, the tapestry, and the carvings, and the paintings of Genoa, and Florence, and Venice, and Padua, and Vicenza, were obtained by him at miraculous cost, and with still more miraculous toil; what think you would have been his sensations, if, while his soul was revelling in the futurity of his descendants keeping their state in this splendid pile, some wizard had foretold to him that, ere three centuries could elapse, the fortunes of his mighty family would be the sport of two individuals; one of them a foreigner, unconnected in blood, or connected only in hatred; and the other a young adventurer alike unconnected with his race, in blood or in love; a being ruling all things by the power of his own genius, and reckless of all consequences save his own prosperity? If the future had been revealed to my great ancestor, the Lord Valerian, think you, Vivian Grey, that you and I should be walking in this long gallery?”