[180] The inscription is: "Votis publicis S. Mariæ Magdalenæ simulacrum ejus insigne Donati opus pristino loco elegantiario repositum anno 1735."
[181] See [p. 199]. Moreover, in 1458 Donatello accepted a commission at Siena for a marble San Bernardino. And the Anonimo Morelliano mentions four other marble reliefs at Padua.
[182] Siena Cathedral, bronze; Berlin Museum, bronze; Frari Church, Venice, wood.
[183] 10, ii. 1423. On 29, iv. 1423, Donatello received 5 lbs. 3 oz. of wax for modelling the figure. Luzi, "Duomo di Orvieto," 1867, p. 406.
[184] Vasari, i. 147.
[185] Che niuno maestro di legname possa fare di pietra. Rules of Sculptors of Sienna, 1441, ch. 39. Milanesi, i. 120.
[186] In Museum. From the Capella Manfredi in San Girolamo degli Osservanza outside the town, suppressed in 1866. Cf. two similar statuettes in terra-cotta, Bargello, Nos. 174 and 175.
[187] Louvre, about 12 inches high, unnumbered. Museo Archeologico, Venice, No. 8. Frau Hainauer's bronze Baptist, signed by Francesco di San Gallo, is interesting in this connection.
[188] Victoria and Albert Museum, No. 157, 1894.
[189] Ibid. No. 7605, 1861, terra-cotta. Louvre, No. 465, ditto.