[230] Victoria and Albert Museum, No. 8376, 1863.
[231] No. 53 e. Bergamo, Morelli Collection, No. 53.
[232] Victoria and Albert Museum, No. 93, 1882.
[233] Ibid. No. 7594, 1861.
[234] One was in the Spitzer Collection, another belongs to M. Gustave Dreyfus.
[235] No. 294, Davillier bequest; and in the entrance hall to the Sacristy of the Eremitani at Padua.
[236] Terra-cotta No. 39a.
[237] The others are Victoria and Albert Museum, No. 7624, 1861, marble. Berlin Museum, stucco. Madame André, marble, finer than the London version. Marquise Arconati-Visconti, Paris, marble, and a rough uncoloured stucco in the Casa Bardini.
[238] Properly speaking, they are ambones. They stand in the west end of the nave of the church close to the junction of the transepts.
[239] 7, xii. 1547. "... Donato non fece mai la più brutta opera," &c. Letter printed in Bottari, i. 70.