Single Solution Process

Instead of the two separate baths used above, a single solution may be employed consisting of a metallic ferricyanide dissolved in a suitable solvent (say, an alkali salt of citric, tartaric, or oxalic acids) in presence of an acid and certain other salts.

On immersion of the positive film in this solution the silver image is converted to silver ferrocyanide, while the colored ferrocyanide is formed simultaneously and combined with it.

In either of the above cases in view of the fact that the metallic ferrocyanide is deposited in a colloidal condition in presence of the gelatine of the film, its state of division and the nature of the tone are usually affected by the presence of certain salts, changes of temperature, concentration of the baths and other factors which must be maintained constant in order to obtain uniform results. With such single baths it is possible to secure tones which are unobtainable by a two solution process, though as such single solutions are sensitive to light and rapidly attack foreign metals which may be present in the shape of faucets, etc., such solutions are comparatively unstable and require care in their use.

Dye Toning

Owing to the limited number of colored inorganic compounds available for toning purposes, it is possible to obtain only a limited range of tones by the above methods.

In view of the possible wide range of colors obtainable by the use of dyes, it has long been considered that a satisfactory method of producing a dye image would be the ideal method for toning purposes.

As a result of recent work in our Research Laboratory, it is now possible to recommend such a method of toning which depends upon the fact that certain inorganic compounds, including copper ferrocyanide, have the property of mordanting certain basic dyes, so that when they are immersed in a solution of the dye the latter attaches itself to the mordant, which in turn becomes colored.

The most suitable dyes for dye toning are those which do not readily dye gelatine so that on immersing, say, a sample of copper toned film in a weak solution of the dye containing a little acid, the dye becomes mordanted to the image, while the highlights consisting of clear gelatine remain colorless, the resulting tone being a combination of the color of the toned film and the dye.

Full particulars are given under tones J, K, L, M and N.