Crome (John): an old woman in a red cloak walking up an avenue of trees (1769-1821).
David: noted for his stiff, dry, pedantic, “highly classic” style, according to the interpretation of the phrase by the French in the first Revolution (1748-1825).
Dolce (Cario): famous for his Madonnas, which were all finished with most extraordinary delicacy (1616-1686).
Domenichi´no: famed for his frescoes, correct in design and fresh in coloring (1581-1614).
Guido: his specialty is a pallid or bluish-complexioned saint, with saucer or uplifted eyes (1574-1642).
Holbein: characterized by bold relief, exquisite finish, force of conception, delicacy of tone, and dark background (1498-1554).
Lorraine (Claude): a Greek temple on a hill, with sunny and highly finished classic scenery. Aerial perspective (1600-1682).
Murillo: a brown-faced Madonna (1618-1682).
Ommeganck: sheep (1775-1826).
Perugino (Pietro): known by his narrow, contracted figures and scrimpy drapery (1446-1524).