Meiklewham (Mr. Saunders), “the man of law,” in the managing committee of the Spa hotel.—Sir W. Scott, St. Ronan’s Well (time, George III.).
Meister (Wilhelm), the hero and title of a novel by Goethe. The object is to show that man, despite his errors and short-comings, is led by a guiding hand, and reaches some higher aim at last (1821).
Meistersingers, or minstrel tradesmen of Germany. An association of master tradesmen to revive the national minstrelsy, which had fallen into decay with the decline of the minnesingers, or love minstrels (1350-1523). Their subjects were chiefly moral or religious, and constructed according to rigid rules. The three chief were Hans Rosenblüt (armorial painter, born 1450), Hans Folz (surgeon, born 1479), and Hans Sachs (cobbler, 1494-1574). The next best were Heinrich von Mueglen, Konrad Harder, Master Altschwert, Master Barthel Regenbogen (the blacksmith), Muscablüt (the tailor), and Hans Blotz (the barber).
Mej´noun and Lei´lah (2 syl.), a Persian love tale, the Romeo and Juliet of Eastern romance. They are the most beautiful, chaste, and impassionate of lovers; the models of what lovers would be if human nature were perfect.
When he sang the loves of Megnôun and Leileh ... tears insensibly overflowed the cheeks of his auditors.—W. Beckford, Vathek (1786).
Mela Dryfoos. Loud young lady of the gilded period, “physically too amiable and too well corporeally ever to be quite cross,” but selfish and coarse and reposing confidently upon the importance given her by her father’s money.—W. D. Howells, A Hazard of New Fortunes (1889).
Melan´chates (4 syl.), the hound that killed Actæon, and was changed into a hart.
Melanchates, that hound
That plucked Actæon to the grounde,
Gaue him his mortal wound, ...
Was chaungéd to a harte.
J. Skelton, Philip Sparow (time, Henry VIII).
Melantius, a rough, honest soldier, who believes every one is true till convicted of crime, and then is he a relentless punisher. Melantius and Diph´ilus are brothers of Evadnê.—Beaumont and Fletcher, The Maid’s Tragedy (1610).
*** The master scene between Antony and Ventidius in Dryden’s All for Love is copied from The Maid’s Tragedy. “Ventidius” is in the place of Melantius.