Seasons (The), a descriptive poem in blank verse, by James Thomson, “Winter” (1726), “Summer” (1727), “Spring” (1728), “Autumn” (1730). “Winter” is inscribed to the earl of Wilmington; “Summer” to Mr. Doddington; “Spring” to the countess of Hertford; and “Autumn” to Mr. Onslow.
1. In “Winter,” after describing the season, the poet introduces his episode of a traveller lost in a snowstorm, “the creeping cold lays him along the snow, a stiffened corse,” of wife, of children, and of friends unseen. The whole book containing 1069 lines.
2. “Summer” begins with a description of the season, and the rural pursuits of haymaking and sheep-shearing; passes on to the hot noon, when “nature pants, and every stream looks languid.” After describing the tumultuous character of the season in the torrid zone, he returns to England, and describes a thunder-storm, in which Celădon and Amelia are overtaken. The thunder growls, the lightnings flash, louder and louder crashes the aggravated roar, “convulsing heaven and earth.” The maiden, terrified, clings to her lover for protection. “Fear not, sweet innocence,” he says. “He who involves yon skies in darkness ever smiles on thee. ’Tis safety to be near thee, sure, and thus to clasp protection.” As he speaks the words, a flash of lightning strikes the maid, and lays her a blackened corpse at the young man’s feet. The poem concludes with the more peaceful scenery of a summer’s evening, when the story of Damon and Musidōra is introduced. Damon had long loved the beautiful Musidora, but met with scant encouragement. One summer’s evening he accidently came upon her bathing, and the respectful modesty of his love so won upon the damsel that she wrote upon a tree, “Damon, the time may come when you need not fly.” The whole book contains 1804 lines.
3. In “Spring” the poet describes its general features, and its influence on the vegetable and animal world. He describes a garden with its harem of flowers, a grove with its orchestry of song-birds making melody in their love, the rough world of brutes, furious and fierce with their strong desire, and lastly man tempered by its infusive influence. The book contains 1173 lines.
4. In “Autumn” we are taken to the harvest-field, where the poet introduces a story similar to that of Ruth and Boaz. His Ruth he calls “Lavinia,” and his Boaz “Palēmon.” He then describes partridge and pheasant shooting, hare and fox hunting, all of which he condemns. After luxuriating in the orchard and vineyard, he speaks of the emigration of birds, the falling of the sear and yellow leaf, and concludes with a eulogy of country life. The whole book contains 1371 lines.
*** It is much to be regretted that the poet’s order has not been preserved. The arrangement of the seasons into Spring, Summer, Autumn, and Winter, is unnatural, and mars the harmony of the poet’s plan.
Seatonian Prize. The Rev. Thomas Seaton, Fellow of Clare Hall, Cambridge University, bequeathed the rents of his Kislingbury estate for a yearly prize of £40 to the best English poem on a sacred subject announced in January, and sent in on or before September 29 following.
Shall hoary Granta call her sable sons....
Shall these approach the Muse? Ah, no! she flies,
And even spurns the great Seatonian prize.
Byron, English Bards and Scotch Reviewers (1809).
Sebastes of Mytile´ne (4 syl.), the assassin in the “Immortal Guards.”—Sir W. Scott, Count Robert of Paris (time, Rufus).
Sebastian, a young gentleman of Messalinê, brother to Viola. They were twins, and so much alike that they could not be distinguished except by their dress. Sebastian and his sister, being shipwrecked, escaped to Illyria. Here Sebastian was mistaken for his sister (who had assumed man’s apparel), and was invited by the Countess Olivia to take shelter in her house from a street broil. Olivia was in love with Viola, and thinking Sebastian to be the object of her love, married him.—Shakespeare, Twelfth Night (1614).