Eimer devotes special attention to "mimicry"; and indeed he was forced to be very solicitous to dispel this fanciful conception of Darwinism which radically contradicted his own views. Moreover, the untenableness of the mimicry hypothesis must have revealed itself very clearly to him in the course of his investigations regarding the coloring of butterflies. Mimicry, as our readers are well aware, consists in this, that living beings imitate other organisms or even inanimate objects; Darwinism maintains that this is done for the sake of protection against enemies. This phenomenon is said to have been produced by selection. Those animals that possessed, for instance, some similarity to a leaf, in consequence escaped their enemies more easily than others and survived, while those that had no leaf-like appearance succumbed; when this process had been repeated a few times, many animals (butterflies) gradually developed that marvelous leaf-like appearance, which frequently deceives the most practiced eye.

It appears so simple and natural that one need not wonder that this peculiar phenomenon gained many an adherent for Darwinism. But, of course, it is directly opposed to the views of Eimer; and it is for this reason that he endeavors so assiduously to disprove the error of Darwinism in this regard. As the underlying color design of the butterfly Eimer designates eleven longitudinal designs; and the examination of the leaf-like forms leads him to the conclusion, that their appearance always depends on "the unaltered condition or the greater prominence of certain parts of this fundamental design." There is to be observed a shifting of the third band, so that in conjunction with the fourth, which is curved, it forms the mid-rib of the leaf. Eimer finds the cause of this phenomenon in the alteration of the form. The leaf-like form results from an acumination and elongation of the wings, which in turn results from a marked elongation of the rim of the fore-wing. And this again is produced by the proportionately greater growth of one part of the wing-section than of the others.

With reference to the reason of this growth it is of importance to note that experiments, consisting in the application of artificial heat to the chrysales of the swallow-tail and sailor-butterfly, demonstrated that by this means "the fore-wing is drawn out more toward the outer wing-vein, and the rim of the fore-wing becomes more elongated and curved." It is observed, however, that the natural heat-forms of the same genera and species, namely, the summer-forms and those which live in the warm southern climate, exhibit, for instance, in the case of butterflies akin to the sailor, the same features, the elongation and more marked curvature of the fore-rim of the fore-wings and the consequent more extended form, that are produced by the action of artificial heat. Manifestly this is a matter of vital importance for the solution of the question: heat, whether artificial or natural, produces a difference in growth, which results in a change of form and coloring. There is consequently no room for natural selection or the struggle for existence.

The leaf-like form is generally associated with the dark, faded colors of dry leaves, and when this similarity disappears even bright colors appear on the fore-wings. In many cases the resemblance to leaves is very imperfect; different forms of the same species live side by side and among them are to be found those, the resemblance of which to leaves is extremely slight. All these facts, and especially the frequently recurring retrogression of the leaf-like appearance, justify serious doubt regarding the Darwinian assumption, that adaptation was a necessity for the forest-butterflies on account of the protection which it provided.

An eye witness furthermore declares that the butterflies that resemble leaves most closely do not always alight on withered leaves, on which they would be almost invisible, but frequently rest on a green background, against which they show off very clearly, and therefore could not long escape the keen eye of birds. Besides, these butterflies are but seldom pursued by the birds, of which there is question here, and hence are in no need of protection.

The longer Eimer devoted his attention to the origin of this resemblance the more "the poetic picture of the imitated leaf" vanished out of sight, and he became convinced that it involved the necessary expression of the lines of development, which the respective beings were bound to follow, and that there was no question of imitation.

Apart from the resemblance to leaves, by reason of regular changes of color, design, and wing-structure, numerous non-related butterflies often develop such wonderful similarities—which are not, as hitherto supposed, imitations or disguises produced by selection, but are either the outcome of an entirely independent uniformity of development or, at least, of its consequence—that it must be admitted that external similarity may arise by different means and in various ways. These relations of similarity are of such frequent recurrence because of the limited number of directions of development in which changes or color and design in butterflies may tend. Eimer finds the reason of this small number of directions, in which development may proceed, in the fact "that the elementary external influences of climate and nourishment on the constitution of the organism are everywhere the cause of the transformations."

Another important point is the difference of sex. If the butterflies are of different sex, the males as a rule exhibit a more developed stage of design and color than the females. These frequently present on the upper side the stage of coloration, which the males present on the lower side, while the upper side of the males is one stage in advance. It is of special significance that the characters of the more advanced sex frequently correspond to those of a related, superior species, and occasionally to those of widely separated species. Eimer endeavors to explain male predominance "by a more delicate and more developed, i.e., more complex, chemico-physical organization of the male organism." Even this development tends toward simplification, the origin of dull-black colors.

This most interesting question brings Eimer into conflict with another Darwinian principle, the so-called principle of "sexual election," according to which the more striking characteristics of the male sex become strengthened for the reason that females invariably give the preference to the males endowed with them, over those that are less "attractive." These exceedingly romantic ideas have been often and deservedly repudiated, e.g., even by Wallace only a short time after their first appearance. Eimer really does them too much honor when he again undertakes, even with a certain amount of respect, a thorough refutation of them, "as in every regard unfounded." It is of primary importance to note here, that in the case of dimorphism of the sexes abrupt modifications occur in connection with unilateral heredity. "It is impossible for sexual selection to produce a change of design and color, which results in the sudden kaleidoscopic formation of wholly different designs, as we find actually taking place through the action of artificial heat and cold and other factors in nature."

This brings us to a brief consideration of the answer, which Eimer proposes to give to the question of the real causes of the formation of species among butterflies. A precise and clear statement of this important part of Eimer's theory of Descent, is contained in the following extracts: "The transformation of organisms is primarily conditioned by the action of immediate external influences on the organisms. The same causes, which produce individual growth, especially climate and nourishment, also produce the organic growth of organisms, that is, transmutation, which is but a continuation in the progeny of individual growth, through the transmission of the characteristics acquired during the lifetime of the individual."