Damn Millet, he thought, wiping his forehead again. Why couldn't the man have a videophone like any normal person so you could find out if he were home without taking a trip halfway across the country?
He turned, stamping angrily as he did so, and was startled to see a man, wearing work clothes and holding a pair of heavy soiled gloves in his left hand, standing on the ground by the end of the porch. He was nearly bald, intensely bronzed, and he was smiling.
"Wondered when you'd see me." He nodded toward the gate. "I was standing right there when you came up. You just breezed right past." His smile broadened. "You were so interested in being surprised that you couldn't see what you came for."
"It must have been that damned glare," muttered Walker, shaking his head. Then, impolitely, "Are you Millet?"
"Otto Millet," the other replied, inclining his head slightly. "You're from the government. I can tell because of the uniform, you see." Walker flushed. "The government hasn't thought about me in a number of years," the scientist added. He came up onto the porch and peered at the symbol on the left lapel of Walker's jacket. "Ah! Alma mater. Weapons Development." He squinted at Walker. "David Walker, I presume?" He chuckled loudly but Walker failed to see the humor. "I remember you, you see; what a shame you can't return the compliment."
"It's hot out here," complained Walker, in growing discomfort.
Millet opened the door. "Won't you come in? It's better inside."
There it was again, thought Walker; the insolence, the imperturbable smile. He grunted and went in; it was, mercifully, considerably cooler.
He looked around. It was a very cluttered living room, not messy but tossed about with the artifacts that the man obviously liked to have around him. There was an ancient painting by Bonestell hanging on one wall, a startlingly accurate twentieth-century concept of the appearance of Mars; several long pipe racks, filled to overflowing, in various spots around the room; a typewriter on a table in a corner, and piles of paper; books lining the walls, and stacked on the floor in heaps and on the table beside the typewriter; a map of the earth on the wall above the typewriter, a three-dimensional Waterson projection. The furniture was clean but—not old; lived with.
Walker went over to the wall map and peered closely.