"Coma occurs through an apoplexy, or concussion; by the use of certain narcotic or mineral poisons; and in various other ways, all of which are ruled out for us.

"There remains syncope. A heart ceases to beat from haemorrhage, or starvation, from exhaustion, or the depressing influence of certain drugs. They who died here died from syncope; but why? No autopsy can tell us why. They passed with only their Maker to sustain them, and none leaves behind an explanation of what overtook him, or her. Yet we know full well, even in the case of Peter Hardcastle, concerning whom the police felt doubt, that he was quite dead before Mr. Lennox discovered him and picked him up. We know that the phenomena of rigor mortis had already set in before his body reached London.

"Nothing, however, is new under the sun. Many journals related the fact that these people had passed away without a cause, as though it were an event without a parallel. It is not. Your Dr. Templeman, in 1893, describes two examples of sudden death with absolute absence of any pathological condition in any part of the bodies to account for it. He describes the case of a man of forty-three, and calls it 'emotional inhibition of the heart.' The heart was arrested in diastole, instead of systole, as is usually the case; the mode of death was syncope; the cause of death, undiscoverable.

"A layman may be permitted, I suppose, to describe 'emotional inhibition of the heart' as 'shock'; but we know, in our cases, that if a shock, it was not a painful one—perhaps not even an unpleasant one. Since all other emotions can be pleasant or unpleasant, why must we assume that the supreme emotion of death may not be pleasant also, did we know how to make it so? Perhaps the Borgia, among their secrets, had discovered this. At least the familiar signs of death were wholly absent from the countenances of the dead. The jaws were not set; the familiar, expressions were not changed, as usually happens from rigidity of facial muscles; their faces were not sallow; their temples were not sunk; their brows were not contracted.

"We will now take the victims, one by one, and show how death happened to each of them, yet left no sign that it had happened. Frankly, the first case alone presented any difficulties to me. For a time I despaired of proving how the bed had destroyed Sir Walter's ancestor, because she had not entered it. But the difficulty becomes clear to one possessing our present knowledge, for once prove the properties of the bed, and the rest follows. You will say that they were not proved, only guessed. That was true, until Prince died. His death crowned my edifice of theory and converted it to fact. As to why the bed has these properties, that is for science to find out presently.

"To return, then, to the old lady, the ancient woman of your race, who came unexpectedly to the Christmas re-union and was put to sleep in the Grey Room at her own wish. She was found dead next morning on the floor. She had not entered the bed. The exact facts have long disappeared from human knowledge, and it is only possible to re-construct them by inference and the support of those straightforward events that followed. I conceive, then, that though the old lady did not create the warmth that liberated the evil spirit of the bed and so destroyed her, that warmth was nevertheless artificially created. What must have happened, think you? The bed is made up in haste and the fire lighted. But the fire is a long way from the bed, and would have no effect to create the necessary temperature. There is, however, a hot-water bottle in the bed, or a hot brick wrapped in flannel. The old lady is about to enter her bed. She has extinguished her candle, but the flame of the fire gives light. She has prayed; she throws off her dressing-gown and flings back the covering of the bed, to fall an instant victim to the miasma. She drops backward and is found dead next morning, by which time the bottle and bed are also cold.

"Taken alone, I grant this explanation may fail to win your sympathy; but consider the cumulative evidence in store. The old lady may, of course, have died a natural death. She may not have turned down the bed. There is nobody living to tell us. All that Sir Walter can recollect is that she was found on the floor of the room dead. Exactly where, he does not remember. But for my own part I have no doubt whatever that her death took place in that way.

"We are on safer ground with the other tragic happenings, though, save in the case of Nurse Forrester, there is nothing on the surface of events to connect their deaths with the accursed bed. You will see, however, that it is very easy to do so. In the lady's case all is clear enough. She goes to bed tired and she sleeps peacefully into death without waking. She is probably asleep within ten minutes, before her own warmth has penetrated through sheet and blanket to the mattress beneath and so destroyed her. Suppose that she is dead in half an hour. She retired to rest at ten o'clock; she is called at seven; the room is presently broken into and she is then not only dead, but cold. The demon has gone to sleep again under its lifeless burden. Now had she been stout and well covered, there had hardly been time for her to grow cold, and those who came to her assistance might even have perished, too. But she is a little, thin thing, and the heat has gone out of her. This assured the safety of those who came to the bedside. One can make no laws as to the time necessary for a dead body to grow as cold as its surroundings. The bodies of the old and the young cool more quickly than those of adult persons. If the conditions are favorable a body may cool in six to eight hours. Prince took but five, poor little bag of bones.

"In the case of Captain May the conditions are altogether different. Let me speak with all tenderness and spare you pain. Be sure that he suffered no more than the others. The bed is now no longer made; the mattress is bare. That matters not to him. Clad in his pyjamas, with a railway rug to cover him and his dressing-gown for a pillow, he flings himself down, and from his powerful and sanguine frame warmth is instantly communicated to the mattress that supports him. Probably but a few minutes were sufficient to liberate the poison. He is not asleep, but on the edge of sleep when he becomes suddenly conscious of physical sensations beyond his experience. He had breathed death, but yet he is not dead. His brain works, and can send a message to his limbs, which are still able to obey. But his hour has come. He leaps from the bed in no suffering, but conscious, perhaps of an oppression, or an unfamiliar odor—we cannot say what. We only know that he feels intense surprise, not pain for in that dying moment his emotions are fixed for ever by the muscles of his face. He needs air and seeks it. He hurries to the recess, kneels on the cushion, and throws open the window. Or the window may have been already open—we cannot tell. To reach it is his last conscious act, and in another moment he is dead. The bed is not suspected. Why should it be? Who could prove that he had even laid down upon it? Indeed it was believed and reported at the inquest that he had not done so. Yet that is what unquestionably happened. Otherwise his candle would have burned to the socket. He had blown it out and settled to rest, be sure.

"We have now to deal with the detective, and here again there was nothing to associate his death with the bed of the Borgia. Yet you will see without my aid how easily he came by his death. Peter Hardcastle desires to be alone, that he may study the Grey Room and everything in it. He is left as he wishes, walks here and there, sketches a ground plan of the room and exhausts its more obvious peculiarities. Would that he had known the meaning of the golden bull! Presently he strikes a train of thought and sits down to develop it. Or he may not have finished with the room and have taken a seat from which he could survey everything around him. He sits at the foot of the bed—there on the right side. He makes his notes, then his last thoughts enter his mind—abstract reflection on the subject of his trade. For a moment he forgets the matter immediately in hand and writes his ideas in his book. He has been sitting on the bed now for some while—how long we know not, but long enough to create the heightened temperature which is all the watchful fiend within the mattress requires to summon him. Then ascends the spirit of death, and Hardcastle, surprised as Captain May was surprised, leaps to his feet. He takes two or three steps forward; his book and pen fall from his hand and he drops upon his face—a dead man. He is, of course, still warm when Mr. Lennox finds him; but the bed he leaped from is cold again and harmless—its work done.