"By Jove, I don't believe he knows the difference between sage and onions, for that matter!" said Tomkins.

Then Mac. came out with the book, and we all went back together.

II

It was frightfully interesting to see the different ways those four chaps went about trying for the 'Bolsover' prize. Tomkins got special leave off games, and spent his spare time in the lanes. He confessed to me that he was frightfully ignorant about grasses, and thought, on the whole, that it would be safer to leave them out of the essay. Macmullen told me that the whole subject bored him a good bit, but he thought he could learn enough about it to do something decent in a week, because a pound book was worth the fag. He was always pulling flowers to pieces, and talking about calyxes and corollas, and seed-cases and stamens, and other wild things of that sort. I asked Tomkins if it promised well for Macmullen to learn about stamens and so on, and how to spell them; and Tomkins thought not.

Tomkins said, "Briggs may very likely favour him, as we know he has before, owing to his feeling for everything Scotch, from oatmeal downwards; but, all the same, the subject is wild flowers, not botany. It's rather a poetical subject in a way, and that's no good to Macmullen. No, I don't think Mac. has any chance, though he did ask old Briggs to lend him the number of the Encyclopædia Britannica with 'Botany' in it, to read in playtime."

"I believe Briggs was pleased, though," I said, "for I heard him answer that Mac. was going the right way to work. Anyway, Mac. read quite half the article and copied some out on a bit of paper before he chucked it in despair."

Tomkins nodded, and I think he saw that it was rather a grave thing for Macmullen to have done.

"I might read it myself," he said. "I'm a little foggy between genera and species, and varieties and natural orders, and so on. Not that all that stuff matters. What you want is really the name of the wild flowers themselves and their colours and ways. Do you happen to know any poetry about flowers of a sort easily learned by heart?"

I didn't; but young Smythe, who was there, answered that he did.

He said, "What you say about poetry is awfully interesting to me, Tomkins, because I had thought the same. And I know many rhymes of a queer sort, and I can make rhymes rather well myself, and I had an idea I would try and do the whole of my composition in rhyme."