We applauded Percy minimus for his sporting attempt, feeling of course, it was piffle really, but good for a kid. Then the Doctor said he was going to read Rice.

"Mr. Fortescue," said Dunston, "has evinced the deepest interest in the achievement of Rice. He tells me that there is now a movement in art--including the sacred art of poesy--which is known as the Futurist Movement. Rice's effort reminds Mr. Fortescue of this lamentable outrage on the Muses, for it appears that the Futurists desire to thrust all that man has done for art into the flames--to forget the glories of Greece, to pour scorn on the Renaissance, to begin again with primal chaos in a world where all shall be without form and void. This is Nihilism and a crime against culture. For some mysterious reason, the boy Rice, who we may safely assume has never heard of the Futurists until this moment, appears to have emulated their methods and shared their unholy extravagance of epithets, their frenzied anarchy, their scorn of all that is lovely and of good repute. He even permits himself expressions that at another time would win something more than a rebuke. I will now read Rice, not for my pleasure or yours, but that at least you may learn what is not poetry, and can never be mistaken for poetry by those who, like ourselves, have drunk at the Pierian spring."

WAR

BY RICE

Smash! Crash! Crash! Bang! Crash! Bang!

Rattle, rattle, rattle, and crash again.

Air full of puffs of smoke where shells are bursting overhead,

Scream of shrapnel over the trenches and yells of rage!

Roar of men charging and howling a savage song---

"Now we shan't be long!" Tramp of feet--then flop! they fall,

Dropping out here, there, and everywhere, and rolling head

over heels like rabbits.

And some sit up after the charge, and some don't.

Shot through the heart or head, they roll gloriously over--all in!

But on go the living, shouting and screaming, and some bleeding

and not knowing it.

As loud as the "Jack Johnsons" they howl, their rifles are at

the charge and the bayonets are white--

The white arm that goes in in front and out behind--

Or in behind and out in front of the Germans running away.

The Boche hates the white arm--it sends him to hell by the million!

Crash! Crash! Squash! Smash! Smash! Smash!

The trench is reached. Blood spurts and bones crack like china.

Gurgles! Chokes! Yells! Helmets fly, bayonets stick

And won't come out! Everybody is dead or dying in the

trench--except twelve Tommies!

Damns, growls, yells choked with blood!

Death, awful wounds, mess, corpses, legs, arms, heads--all separate!

The trench is taken, and England has gained

A hundred yards! Hoorooh!

Hoorooh! Hoorooh! Hoorooh!

And what must it be to be there!!!

Signed RICE.

I looked at Rice while his poem was being intoned by the Doctor. He had turned very red, but he stuck it well, and somehow, though, of course, it was right bang off, and no rhymes or anything, I liked it. And Mr. Fortescue liked it, as he afterwards told Rice; but the Doctor and Mr. Peacock fairly hated it, so that was the end of Rice.

They thought nothing of Tracey's poem, either. The Doctor said:

"Tracey has produced what, for reasons best known to himself, he calls 'a satire.' It possesses a certain element of crude humour, which, on such a solemn theme, is utterly out of place. Upon the whole, I regard it as discreditable in a Sixth Form boy, and do not think the better of Tracey for having written it."

He then read Tracey.

A SATIRE