"What do you think of this business?" he asked. "You have been pretty close to it for a long time now. You must have some theory."

"I have no theory at all," replied Doria. "My own affairs are enough for me and this cursed mystery is thrusting a finger into my life and darkening it. I grow a very anxious and miserable man and I will tell you why, because you are understanding. You must not be angry if I now mention my wife in this affair. A mill and a woman are always in want of something, as our proverb says; but though we may know what a mill requires, who can guess a woman's whims? I am dazed with guessing wrong. I don't intend to be hard or cruel. It is not in me to be cruel to any woman. But how if your own woman is cruel to you?"

They had reached the shrine—a little alcove in a rotting mass of brick and plaster. Beneath it extended a stone seat whereon the wayfarer might kneel or sit; above, in the niche, protected by a wire grating, stood a doll painted with a blue cloak and a golden crown. Offerings of wayside flowers decorated the ledge before the little image.

They sat down and Doria began to smoke his usual Tuscan cigar. His depression increased and with it Brendon's astonishment. The man appeared to be taking exactly that attitude to his wife she had already suggested toward him.

"Il volto sciolto ed i pensieri stretti," declared Giuseppe with gloom. "That is to say 'her countenance may be clear, but her thoughts are dark'—too dark to tell me—her husband."

"Perhaps she fears you a little. A woman is always helpless before a man who keeps his own secrets hidden."

"Helpless? Far from it. She is a self-controlled, efficient, hard-headed woman. Her loveliness is a curtain. You have not yet got behind that. You loved her, but she did not love you. She loved me and married me. And it is I who know her character, not you. She is very clever and pretends a great deal more than she feels. If she makes you think she is unhappy and helpless, she does it on purpose. She may be unhappy, because to keep secrets is often to court unhappiness; but she is not helpless at all. Her eyes look helpless; her mouth never. There is power and will between her teeth."

"Why do you speak of secrets?"

"Because you did. I have no secrets. It is Jenny, my wife, who has secrets. I tell you this. She knows all about the red man! She is as deep as hell."

"You mean that she understands what is happening and will not tell her uncle or you?"