[!-- H2 anchor --]

CHAPTER XVII

THE METHODS OF PETER GANNS

Two men travelled together in the train de luxe from Milan to Calais. Ganns wore a black band upon the sleeve of his left arm; his companion carried the marks of mourning in his face. It seemed that Brendon had increased in age; his countenance looked haggard; his very voice was older.

Peter tried to distract the younger man, who appeared to listen, though his mind was far away and his thoughts brooding upon a grave.

"The French and Italian police resemble us in the States," said Mr. Ganns. "They are much less reticent in their methods than you English. You, at Scotland Yard, are all for secrecy, and you claim for your system superior results to any other. And figures support you. In New York, in 1917, there were two hundred and thirty-six murders and only sixty-seven convictions. In Chicago, in 1919, there were no less than three hundred and thirty-six murders and forty-four convictions. Pretty steep—eh? In Paris four times as many crimes of violence are committed yearly as in London, though, of course, the population is far smaller. Yet what are the respective achievements of the police? Only half as many crimes are detected by the French as by the British. Your card index system is to be thanked for that."

He ran on and then Brendon seemed to come to himself.

"Talk about poor Albert Redmayne," he said.

"There's little to be added to what you know. Since Pendean chooses to keep dumb, at any rate until he's extradited, we can only assume exactly what happened; but I have no doubt of the details. It was Pendean, of course, you saw leave the villa, while his wife held you in conversation, and so ordered her falsehoods that you were swept away from every other consideration save how best to rescue her from her husband.

"She took good care to involve your own future and to say just what was most likely to make you forget your trust. My dear, dear Albert, forgive me if I am blunt; but when you look back, presently, you will see that the great loss is really mine, not yours. Michael Pendean, once out of sight, gets a boat, adopts his disguise—the false beard and mustache found upon him—and presently rows round to Albert's steps. He sees Assunta, who does not recognize him, and says that he has come from Virgilio Poggi, who is at death's door at Bellagio.