Sabina heard the full story of her grandmother's decease with every detail of the passing, but it was the face of a young man, not the countenance of an old woman, that flitted through her thoughts as she went to sleep that night.
CHAPTER V
IN THE MILL
John Best was taking Raymond Ironsyde round the spinning mill, but the foreman had his own theory and proposed to initiate the young man by easy stages.
"You've seen the storehouses and the hacklers," he said. "Now if you just look into the works and get a general idea of the scheme of things, that's enough for one day."
In the great building two sounds deafened an unfamiliar ear: a steady roar, deep and persistent, and through it, like a staccato pulse, a louder, more painful, more penetrating din. The bass to this harsh treble arose from humming belts and running wheels; the crash that punctuated their deep-mouthed riot broke from the drawing heads of the machines.
A lofty, open roof, full of large sky-lights, covered the operating room, and in its uplifted dome supports and struts leapt this way and that, while, at the height of the walls, ran rods supporting rows of silver-bright wheels from which the power descended, through endless bands, to the machinery beneath. The floor was of stone, and upon it were disposed the various machine systems—the Card and Spreader, the Drawing Frames, Roving Frames, Gill Spinners and Spinning Frames.
The general blurred effect in Raymond's mind was one of disagreeable sound, which made speech almost impossible. The din drove at him from above and below; and it was accompanied by a thousand unfamiliar movements of flying bands and wheels and squat masses of machinery that convulsed and heaved and palpitated round him. From nearly all the machines there streamed away continuous bright ribbons of hemp or flax, that caught the light and shone. This was the 'sliver,' the wrought, textile material passing through its many changes before it came to the spinners. The amber and lint-white coils of the winding sliver made a brightness among the duns and drabs around them and their colour was caught again aloft where whisps of material hung irregularly—lumps of waste from the ends of the bobbins—and there were also colour notes of warmth in the wooden wheels on many of the machines. These struck a genial tone into the chill greys and flash of polished steel on every side.
After the mechanical activity, movement came from the irregular actions of the workers. Forty women and girls laboured here, and while some old people only sat on stools by the spouting sliver and wound it away into the tall cans that received it, other younger folk were more intensively engaged. The massive figure of Sally Groves lumbered at her ministry, where she fed the Carding Machine. She was subdued to the colour of the hemp tow with which she plied it. Elsewhere Sarah Northover flashed the tresses of long lines over her head and seemed to perform a rhythmic dance with her hands, as she tore each strick into three and laid the shining locks on her spread board. Others tended the drawers and rovers, while Sabina Dinnett, Nancy Buckler and Alice Chick, whose high task it was to spin, seemed to twinkle here, there and everywhere in a corybantic measure as they served the shouting and insatiable monsters that turned hemp and flax to yarn.
They, indeed, specially attracted Raymond, by the activity of their work and the charm of their swift, supple figures, where, never still, they danced about, with a thousand, strenuous activities of hand and foot and eye. Their work dazed him and he wanted to stop here and ask Sabina many questions. She looked much more beautiful while spinning than in her black dress and white apron—so the young man thought. Her work displayed her neat, slim shape as she twirled round, stooped, leapt up again, twisted and stood on tip-toe in a thousand fascinating attitudes. Never a dancer in the limelight had revealed so much beauty. She was rayed in a brown gown with a short skirt, and on her head she wore a grey woollen cap.