"It is not so much the girls as the girl. If he had manifested a general interest in them, you need have said nothing; but, with the purest good will to Raymond and a great personal affection for Sabina, I do feel that this friendship is not desirable. Don't think I am cynical and worldly and take too low a view of human nature—far from it, my dear boy. Nothing would ever make me take a low view of human nature. But one has not lived for sixty years with one's eyes shut. Unhappy things occur and Nature is especially dangerous when you find her busy with such natural creatures as your brother and Sabina. A word to the wise. I would speak, but you will do so with far greater weight."
"I hate preaching and making Raymond think I'm a prig and all that sort of thing. It only hardens him against me."
"He knows better. At any rate try persuasion. He has a remarkably good temper and a child could lead him. In fact a child sometimes does. He'd do anything for Waldron's little girl. Just say you admire and share his ambitions for the welfare of the workers. Hint at supply and demand; then explain that all must go according to fixed laws, and amelioration is a question of time and combination, and so on. Then tackle him fearlessly about Sabina and appeal to his highest instincts. I, too, in my diplomatic way will approach him with modern instances. Unfortunately it is only too easy to find modern instances of what romance may end in. And to say that modern instances are exceedingly like ancient ones, is merely to say, that human nature doesn't change."
Fired by this advice, Daniel went straight to the works, and it was about eleven o'clock in the day when he entered his brother's office above the Mill—to find it empty.
Descending to the main shop, he discovered Raymond showing a visitor round the machines. Little Estelle Waldron was paying her first visit to the spinners and, delighted at the distraction, Raymond, on whose invitation she had come, displayed all the operation of turning flax and hemp into yarn. He aired his knowledge, but it was incomplete and he referred constantly to the operators from stage to stage.
Round-eyed and attentive, Estelle poured her whole heart and soul into the business. She showed a quick perception and asked questions that interested the girls. Some, indeed, they could not answer. Estelle's mind approached their work from a new angle and saw in it mysteries and points calling for solution that had never challenged them. Neither had her problems much struck Raymond, but he saw their force when she raised them and pronounced them most important.
"Why, that's fundamental, really," he said, "and yet, be shot, if I ever thought of it! Only Best will know and I shouldn't be surprised if he doesn't."
They stood at the First Drawing Frame when Daniel appeared. They had followed the flat ribbon of sliver from the Carding Machine. At the Drawing Frame six ribbons from the Carder were all brought together into one ribbon and so gained in quality, while losing more impurities during a second severe process of combing out.
"And even now it's not ready for spinning," explained Raymond. "Now it goes on to the Second Drawing Frame, and four of these ribbons from the First Drawer are brought together into one ribbon again. So you see that no less than twenty-four ribbons from the Carder are brought together to make stuff good enough to spin."
"What do the Drawing Frames do to it?" asked Estelle; "it looks just the same."