LYDFORD CASTLE
To-day this survival of ancient pride and power lies gaunt, ruined, hideous, and, in unvenerable age, still squats and scowls four-square to all the winds that blow. From its ugly window-holes to its tattered crown there is no beautiful thing about it, save the tapestry of nature that sucks life from its bones and helps to hide them. Grass and ferns, hawkweed, sweet yarrow, toadflax, and fragrant wormwood thrive within its rents and crevices; seedling ash and elder find foothold in the deep embrasures; ivy mantles the masonry and conceals its meanness. The place sulks, like an untamable and unlovely beast dying. It reflects to the imagination the dolours and agonies of forlorn wretches—innocent and guilty—who have pined and perished within its dungeons. Now these subterranean dens, stripped to the light, are crumbling between the thumb and forefinger of Time; their gloomy corners glimmer green with moss and tongues of fern and moisture oozing; briars drape the walls from which hung staples; wood strawberries, like rubies, glitter among the riven stones. Windows and a door still gape in the thickness of the walls; and above, where once were floors, low entrances open upon air. In the midst extends a square of grass; aloft, a spectator may climb to the decayed stump of the ruin, and survey Lydford's present humility; her church, dwarfed largely by the bulk of the castle; her single row of little dwellings; the dimpled land of orchards and meadows round about her; and the wide amphitheatre of Dartmoor towering semi-circular to the East.
Fifty years ago, as now, the village straggled away from the feet of the castle under roofs of grey thatch and tar-pitched slate. Many of the cottages had little gardens before them, and one dwelling, larger than the rest, stood with a bright, rosy-washed face, low windows and low brow of grey thatch, behind luxuriance of autumn flowers. To the door of it there led a blue slate path, and on either side smiled red phloxes, bell-flowers, tiger-lilies with scarlet, black-spattered chalices, and pansies of many shades. A little golden yew, clipped into a pyramid, stood on one side of the door; upon the other sat a man peeling potatoes.
Philip Weekes was short and square and round in the back. His black beard, cut close to the chin, began to turn white; his hair was also grizzled. His cheeks were red and round; his large grey eyes had a wistful expression, as of eyes that ached with hope of a sight long delayed. His voice, but seldom heard, was mournful in its cadence. Now Mr. Weekes dropped his last potato into a pail of water; then he picked up the pail, and a second, that contained the peelings. With these he went to the rear of his house. It was necessary to go out through the front gate, and as he did so a friend stopped him.
"Nice weather, schoolmaster," he said in his mild tones. "Very seasonable indeed. And I observe your son up at the ruin with a party every time I pass. He must be doing well, Mr. Weekes."
"Nothing to complain about, I believe; but Jarratt—to say it friendly—is terrible close. I don't know what he's worth, Mr. Churchward."
"I expect your good lady does, however."
The father nodded.
"Very likely. I ban't in all their councils."
The schoolmaster—a tall, stout man, with a pedagogic manner and some reputation for knowledge—made no comment upon this speech, but discreetly pursued his way. He stopped at the Castle Inn, however, for the half-pint of ale he always allowed himself after morning school. The little public-house stood almost under the castle walls; and beyond it rose a bower of ancient trees, through which appeared the crocketed turrets of St. Petrock's. Adam Churchward was a widower and enjoyed high esteem at Lydford. People thought more of him than the vicar, because though of lesser learning, he displayed it to better advantage and denied himself to none. He was self-conscious under his large and heavy manner, but he concealed the fact, and nobody knew the uneasiness that often sat behind his white shirt-front and black tie, when accident threatened the foundations of his fame.