For perhaps as long as it took him to catch his arrested breath, Huntington stood motionless. Then, with an oath, he bounded back into the room, and disappeared, as Marion dully realized, in the direction of his room, where his revolver hung on a rack. She felt the form beside her straighten out like a loosed spring; and the next instant she was borne swiftly forward into the light, into the house, into the scene she had pictured, the scene she herself had prepared. The arm that supported her was quickly withdrawn, and she was left standing at one side of the door, while Haig leaped away from her, and stood waiting at the other.
Even as this was done, Huntington reappeared at the door of his bedroom. The revolver in his right hand moved slowly upward. In the kitchen doorway was Claire––a stricken thing in blue and gold––clinging to the doorpost, her lips parted, her eyes wide with 97 terror. But Haig! Could anything have been more horrible than that smile? It was fearless, mocking, insolent. And his whole attitude matched it perfectly. He stood carelessly erect, with arms folded, disdaining Huntington’s weapon. But not the slightest motion of his enemy––perhaps not even the thought before it––could have escaped him. Marion knew him; and she felt as certain as if it had already happened that if Seth lifted his revolver by so much as another inch he would be stretched out on the floor there as he had been on the ground at Paradise.
All this she saw in an interval as brief as that between two clicks of the shutter of her kodak. Then the clock on the mantel began to strike. It was a friendly clock, with a musical, soft note. But now its stroke crashed upon the silence like a tolling bell. It seemed to have its part in that halted scene, as if all waited on its last solemn count. If she could only move, think, speak, before it finished!
The next thing she knew she was in the middle of the room, directly between the two men, and speaking.
“Wait, Seth!” she heard herself saying. “I did it. I brought him here to––to make peace with you.”
She ended on the clock’s last note; and silence fell again. Huntington’s jaw dropped; amazement was printed on his face, and incredulity. Marion walked quietly up to him, took the revolver from his hand, and left him standing in the doorway, his arms hanging loose at his side. She crossed the room to Haig, slowly, somewhat gropingly like a somnambulist, with a half-smiling, strange expression fixed on her chalk-white face. She stretched out her left hand to him, her right 98 still clasping Seth’s six-shooter. There was something magnetic, curiously compelling in her manner; for she said nothing, made no sound. Haig stared at her, the odious smile fading from his lips; his arms slowly fell apart, one hand in the direction of the revolver at his hip; and for a moment it seemed that he too would yield to her. But suddenly he threw back his head, and laughed.
“By Jupiter!” he cried. “I didn’t think it was in you. You almost got me too. Good night––all!”
On that he turned on his heel, and vanished into the night. Marion heard him laughing still as his boots crunched on the gravel; heard his voice in brief and sharp command at the stable; heard the beat of the sorrels’ hoofs on the road, and the fragment of a song wafted back to her,––something rollicking and insolent, in a foreign tongue. She stood listening until the sounds had died away in the night, and silence enveloped her. Then, just as Huntington leaped forward with a bellow of rage,––too late, as ever,––and Claire, with a shriek, rushed to throw herself between him and the door, Marion’s head drooped forward, her knees gave way, and she fell senseless on the floor.
Huntington’s big revolver, slipping from her nerveless fingers as she fell, struck the Navajo rug with a muffled thump, bounced and rolled over, and settled down harmlessly on a patch of barbaric red.