ANNABEL LEE (Page 44)
Published in the _New York Tribune, _October 9, 1849, two days after the poet's death. Read the comment in the Introduction, page xxv. Note the mid-rhymes in line 26, "chilling and killing," and in line 32, "ever dissever"; point out other examples in "The Raven" and other poems.
TO MY MOTHER (Page 46)
Published in 1849; in form, a regular Shakespearean sonnet. It is a sincere tribute addressed to Mrs. Clemm, mother of Poe's girl wife, Virginia, a woman who was more than worthy of it. The tenderest affection existed between the two, and Mrs. Clemm cared for him after Virginia's death and grieved profoundly at his own. She lived until 1871.
ELDORADO (Page 46)
This first appeared in the Griswold edition of 1850; no earlier publication is known. It was probably Poe's last composition, and this story of the knight's quest, its failure, and his gaze turned to "the Valley of the Shadow," is a fitting finale for the ill-starred poet (see comment in the Introduction, page xxv).
Eldorado: a fabled city or country abounding in gold and precious stones, and afterward any place of great wealth. The word is often used figuratively. In a preface to an early volume of his poetry, Poe alludes quite incidentally to "the poet's own kingdom—his El Dorado," and in this sense the metaphor may be accepted here.
Note the varying sense of the recurring rhyme, shadow. In the first stanza it is simply contrasted with the "sunshine" or happiness of life, in the second it implies the coming of discouragement and despair, in the third it is the shadow of death cast before, in the fourth the Valley of the Shadow of Death.
THE HAUNTED PALACE (Page 59)
Published in the Baltimore Museum in April, 1839, and in September of the same year in Burton's Gentleman's Magazine as part of the tale "The Fall of the House of Usher"; afterwards published in 1840, 1843, and 1845. It was altered very slightly in revision. Lowell wrote that he knew of no modern poet who might not justly be proud of it (see Introduction, pages xxiii-xxiv).