“Smith!” said she, in reply to my very earnest inquiry; “Smith!—why, not General John A. B. C.? Bless me, I thought you knew all about him! This is a wonderfully inventive age! Horrid affair that!—a bloody set of wretches, those Kickapoos!—fought like a hero—prodigies of valor—immortal renown. Smith!—Brevet Brigadier General John A. B. C.! why, you know he’s the man—”
“Man,” here broke in Doctor Drummummupp, at the top of his voice, and with a thump that came near knocking the pulpit about our ears—“man that is born of a woman hath but a short time to live; he cometh up and is cut down like a flower!” I started to the extremity of the pew, and perceived by the animated looks of the divine, that the wrath which had nearly proved fatal to the pulpit had been excited by the whispers of the lady and myself. There was no help for it; so I submitted with a good grace, and listened, in all the martyrdom of dignified silence, to the balance of that very capital discourse.
Next evening found me a somewhat late visitor at the Rantipole Theatre, where I felt sure of satisfying my curiosity at once, by merely stepping into the box of those exquisite specimens of affability and omniscience, the Misses Arabella and Miranda Cognoscenti. That fine tragedian, Climax, was doing Iago to a very crowded house, and I experienced some little difficulty in making my wishes understood; especially, as our box was next the slips, and completely overlooked the stage.
“Smith!” said Miss Arabella, as she at length comprehended the purport of my query; “Smith!—why, not General John A. B. C.?”
“Smith!” inquired Miranda, musingly. “God bless me, did you ever behold a finer figure?”
“Never, madam, but do tell me—”
“Or so inimitable grace?”
“Never, upon my word!—But pray inform me—”
“Or so just an appreciation of stage effect?”
“Madam!”