Drawn by the Author.

PHOTO ENGRAVINGS.
Going to the Fountain[Frontispiece.]
PotteryTo face p.[32]
The Fountain„[40]
A Market„[60]
The Return Home„[82]
Ploughing„[96]
Woman moulding Vases„[102]
Threshing„[104]
WOOD ENGRAVINGS.
Men met at an OakTo face p.[1]

As man conversing man,

Met at an oak.

Pope’sIliad, Book xxii.

Gathering Olives„[16]

Like some fair olive, by my carefulhand

He grew, he flourish’d, and adorn’d theland.

Pope’sIliad, Book xviii.

Meeting„[22]

The season now for calm, familiartalk,

Like youths and maidens in an eveningwalk.

Pope’sIliad, Book xxii.

Sowing„[44]

And naked sow the land,

For lazy winter numbs the lab’ringhand.

Dryden’sVirgil, Georgic i.

Jewellery„[56]
Hewing„[58]

’Tis more by art than force of numerousstrokes,

The dexterous woodman shapes the stubbornoaks.

Pope’sIliad, Book xxiii.

Among the tombs„[120]

As when ashore an infant stands,

And draws imagin’d houses in thesands.

Pope’sIliad, Book xv.

HEADINGS TO CHAPTERS.
PAGE
Shaking an Olive-tree[1]
Sheep at a Market[24]
Goats at a Market[45]
Sickling[59]
Binding Sheaves[86]

MEN MET AT AN OAK.

As man conversing man,

Met at an oak.

Pope’s Iliad, Book xxii.