Aaron Hatfield
Better than granite, Spoon River,
Is the memory-picture you keep of me
Standing before the pioneer men and women
There at Concord Church on Communion day.
Speaking in broken voice of the peasant youth
Of Galilee who went to the city
And was killed by bankers and lawyers;
My voice mingling with the June wind
That blew over wheat fields from Atterbury;
While the white stones in the burying ground
Around the Church shimmered in the summer sun.
And there, though my own memories
Were too great to bear, were you, O pioneers,
With bowed heads breathing forth your sorrow
For the sons killed in battle and the daughters
And little children who vanished in life’s morning,
Or at the intolerable hour of noon.
But in those moments of tragic silence,
When the wine and bread were passed,
Came the reconciliation for us—
Us the ploughmen and the hewers of wood,
Us the peasants, brothers of the peasant of Galilee—
To us came the Comforter
And the consolation of tongues of flame!
Isaiah Beethoven
They told me I had three months to live,
So I crept to Bernadotte,
And sat by the mill for hours and hours
Where the gathered waters deeply moving
Seemed not to move:
O world, that’s you!
You are but a widened place in the river
Where Life looks down and we rejoice for her
Mirrored in us, and so we dream
And turn away, but when again
We look for the face, behold the low-lands
And blasted cotton-wood trees where we empty
Into the larger stream!
But here by the mill the castled clouds
Mocked themselves in the dizzy water;
And over its agate floor at night
The flame of the moon ran under my eyes
Amid a forest stillness broken
By a flute in a hut on the hill.
At last when I came to lie in bed
Weak and in pain, with the dreams about me,
The soul of the river had entered my soul,
And the gathered power of my soul was moving
So swiftly it seemed to be at rest
Under cities of cloud and under
Spheres of silver and changing worlds—
Until I saw a flash of trumpets
Above the battlements over Time.
Elijah Browning
I was among multitudes of children
Dancing at the foot of a mountain.
A breeze blew out of the east and swept them as leaves,
Driving some up the slopes. . . .
All was changed.
Here were flying lights, and mystic moons, and dream-music.
A cloud fell upon us.
When it lifted all was changed.
I was now amid multitudes who were wrangling.
Then a figure in shimmering gold, and one with a trumpet,
And one with a sceptre stood before me.
They mocked me and danced a rigadoon and vanished. . . .
All was changed again.
Out of a bower of poppies
A woman bared her breasts and lifted her open mouth to mine.
I kissed her.
The taste of her lips was like salt.
She left blood on my lips.
I fell exhausted.
I arose and ascended higher, but a mist as from an iceberg
Clouded my steps.
I was cold and in pain.
Then the sun streamed on me again,
And I saw the mists below me hiding all below them.
And I, bent over my staff, knew myself
Silhouetted against the snow. And above me
Was the soundless air, pierced by a cone of ice,
Over which hung a solitary star!
A shudder of ecstasy, a shudder of fear
Ran through me.
But I could not return to the slopes—
Nay, I wished not to return.
For the spent waves of the symphony of freedom
Lapped the ethereal cliffs about me.
Therefore I climbed to the pinnacle.
I flung away my staff.
I touched that star
With my outstretched hand.
I vanished utterly.
For the mountain delivers to Infinite Truth
Whosoever touches the star.
Webster Ford
Do you remember, O Delphic Apollo,
The sunset hour by the river, when Mickey M’Grew
Cried, “There’s a ghost,” and I, “It’s Delphic Apollo”;
And the son of the banker derided us, saying, “It’s light
By the flags at the water’s edge, you half-witted fools.”
And from thence, as the wearisome years rolled on, long after
Poor Mickey fell down in the water tower to his death
Down, down, through bellowing darkness, I carried
The vision which perished with him like a rocket which falls
And quenches its light in earth, and hid it for fear
Of the son of the banker, calling on Plutus to save me?
Avenged were you for the shame of a fearful heart
Who left me alone till I saw you again in an hour
When I seemed to be turned to a tree with trunk and branches
Growing indurate, turning to stone, yet burgeoning
In laurel leaves, in hosts of lambent laurel,
Quivering, fluttering, shrinking, fighting the numbness
Creeping into their veins from the dying trunk and branches!
’Tis vain, O youth, to fly the call of Apollo.
Fling yourselves in the fire, die with a song of spring,
If die you must in the spring. For none shall look
On the face of Apollo and live, and choose you must
’Twixt death in the flame and death after years of sorrow,
Rooted fast in the earth, feeling the grisly hand,
Not so much in the trunk as in the terrible numbness
Creeping up to the laurel leaves that never cease
To flourish until you fall. O leaves of me
Too sere for coronal wreaths, and fit alone
For urns of memory, treasured, perhaps, as themes
For hearts heroic, fearless singers and livers—
Delphic Apollo!
The Spooniad
[The late Mr. Jonathan Swift Somers, laureate of Spoon River ([see page 111]), planned The Spooniad as an epic in twenty-four books, but unfortunately did not live to complete even the first book. The fragment was found among his papers by William Marion Reedy and was for the first time published in Reedy’s Mirror of December 18th, 1914.]