Sprague was a dilettante in art as he was in life. If he had not been rich, he might perhaps have become a great artist. But, lacking the spur of poverty, he seemed incapable of sustained effort. Occasionally he was seized with a frenzy for labor; and, for weeks at a time, he would shut himself up in his studio, until he had creditably accomplished some bit of work. But the fever was soon spent, and a reaction invariably followed, during which palette and brush were taken up only in desultory fashion. Thus it was that at the age of eight and twenty, Sprague had painted a few pictures which had attracted favorable attention at the annual exhibitions of the Academy of Design, and which the critics had spoken of as "promising"; and thus it was that the promise was as yet unfulfilled, and that Sprague, though a man of undoubted talent, was not likely ever to rank as a genius in his profession.
Sturgis, with his keen insight into human nature, fully realized the potential capacities of the artist, and at times he could not control his impatience at his friend's inert drifting through life. But, with all their differences, these two men held each other in the highest esteem, each admiring in the other those very qualities which were lacking in himself.
The artist lived in a fashionable quarter of the city, in a bachelor apartment which included a large and commodious studio fitted up according to the latest canons of artistic taste.
On this particular New Year's morning, after waking and observing, by the filtering of a few bright sunbeams through the closely drawn blinds, that it was broad daylight, he stretched himself with a voluptuous yawn and prepared to relapse into the sensuous enjoyment of that semi-somnolent state which succeeds a night of calm and refreshing sleep.
Just as he was settling himself comfortably, however, he was startled by a knock at the bedroom door. Most men, under the circumstances, would have betrayed some vexation at being thus unceremoniously disturbed. But there was no suspicion of annoyance in Sprague's cheery voice, as he exclaimed:
"You cannot come in yet, Mrs. O'Meagher. I am asleep, and I shall be asleep for another hour at the least. Surely you cannot have forgotten that to-day is a holiday. Happy New Year! You have time to go to several masses before——"
"Get up, old lazybones; and don't keep a man waiting at your door in this inhospitable way, when he is in a hurry," interrupted a voice whose timbre was not that of the housekeeper, Mrs. O'Meagher.
"Oh! is that you, Sturgis?" laughed the artist. "Aren't you ashamed of yourself to come routing honest men out of bed at this unseemly hour? Wait a minute, till I put on my court costume, that I may receive you with the honors and ceremonies due to your rank and station."
A couple of minutes later, the artist, picturesquely attired in a loose oriental dressing gown and fez, opened the door to his friend, Ralph Sturgis.
"Come in, old man," he said, cordially extending his hand to the reporter; "you are welcome at any hour of the day or night. What is it now? This is not your digestion call, I presume."