He surveyed the arena, wiping his reading glasses, hoping his eyes didn't look too bloodshot. The prospective talesmen spilled into the rows beyond the press tables. Then the anonymous; and from outside, a beehive snarl of the disappointed, who might dwindle away presently, unless the papers had succeeded at blowing the case up into a sexual circus. Portraits of the dead woman showed a pretty face, but Ann Doherty had after all been a respectable suburban housewife, not a glamor girl. Catering to the perennial hunger for a scapegoat, most of the papers were writing of Callista Blake on a note of hate just inside libel—Crippled Teen-Age Intellectual, Prodigy Girl in the Monkshood Case. But that carried a phony note, for Callista Blake had managed to remain so essentially unknown that so far there was really no one to hate but a paper image. Some voices dissented, too. One sob sister had declared Callista was a woman, with human needs, feelings, a tragic childhood. That writer might have read an article on psychiatry—even two articles.
There were certain letters, from Callista Blake to her lover James Doherty, the last one written about a week before Doherty's wife was found dead—poisoned and drowned. If those letters arrived in evidence over the protests of Cecil Warner, they would demonstrate Callista Blake's humanity more intensely than any journalistic gulping.
Judge Mann had read them, Cecil Warner and District Attorney Lamson present. James Doherty, Lamson said, had handed over the first three voluntarily. The fourth, found in Callista Blake's possession, had not been mailed to Doherty. For Mann, to read them had been like blundering into a private room where lovers clung together with locked loins and tortured faces; like being compelled to watch, afterward, when the woman was alone and wounded with loss. He had skimmed, his mind wincing aside, knowing it was not possible to understand the letters under those conditions. They had not been read to the grand jury. Some passages in them might be construed as admissions of guilt—or not, as you pleased. Warner evidently felt that this notion could be demolished.
As for beauty and glamor, the prosecution would introduce other photographs of Ann Doherty that were no pretty portraits. Old Warner would object routinely and be overruled; the jury would then meet the unmitigated spectacle of a death by drowning. When Ophelia perishes offstage you don't think of post-mortem lividity or foam on the mouth.
"Mr. District Attorney?"
Assistant District Attorney Talbot J. Hunter nodded briskly but solemnly: he was being the man who profoundly regrets what he must do. That had not been altogether predictable. Dealing with professional crooks, T. J. could act downright jolly in a ferocious give-nothing way, often sweeping a jury along. With a tiger's grace, handsome in spite of too much chin and early frontal baldness, Hunter could have been athlete, actor, singer. He was a near-professional with the Winchester Choral Society, having once gone splendidly through the baritone solo in the Brahms German Requiem when the guest artist turned up with laryngitis. Mann, himself a serious pianist, had heard that achievement, and remembered it at times when Hunter's courtroom personality annoyed him: the man could hardly have sung that well unless there was in him, somewhere, the element of compassion. In the law, Mann supposed, Hunter could use and enjoy his musical and histrionic abilities and at the same time make a living. "Call the Blake case!" The voice, Mann observed, was in top form, rich, melodious, and acceptably stern.
"Mr. Warner?"
"The defense is ready." Cecil Warner was standing also, heavy and old, a man listening to other voices though capable of employing his own heavy thunder. The other voices were conscience, tradition, books; overtones of what witnesses and lawyers don't say. The seamed ancient face was fat, the kindness obvious but not the strength. Mann wondered occasionally whether Warner had ever, like Darrow, faced all the implications of a certain pessimism that colored most of his opinions. A fracture imperfectly set had crippled Cecil Warner's left arm in childhood; he could not bend the elbow beyond a ninety-degree angle. And Warner's mind, the Judge speculated, might suffer a similar limitation, never hitting with quite all its power. He would need it all in the next few days.
"The People of the State of New Essex against Callista Blake."
Reasonable words; but as Mr. Delehanty intoned them, the Judge's mind perversely visualized an army of five or six million, uniformed, with rifles, tanks, flame-throwers, advancing in ponderous wrath against one cornered chipmunk with tinfoil helmet and paper sword. Foolish, he knew: the individual was not alone, and faced not the People roaring and multitudinous but merely their representative, who might be no more powerful a champion than his own counsel. Yet the image had pestered Judge Mann before now, and faded in the style of the Cheshire Cat.