"No, sir, he has not."
Hunter dropped it there. Callista was aware of the Sergeant rising, meeting her glance for an instant with something in his own not at all unkind. It was not understanding, perhaps not really compassion. He had never spoken to her. She thought she remembered his face among others at District Attorney Lamson's office during her worst time of questioning. He had said nothing then; would have given Mr. Lamson his information at some other time; maybe he had turned up there (if he really did) just to have a look at her. What she read in him now might be a simple adult refusal to condemn, by a busy man, not involved, not personally much excited or concerned, his thought and daily life filled with a thousand other matters. And now he was marching away. With nothing of the sarcasm that would have distorted the words if she had spoken aloud, Callista thought: Good-bye—nice to have known you.
The next witness, Sergeant Peterson the photographer, unwound his scrawniness from some part of the outer blur and strode into the arena to take the oath. Dark hair, a pallor as if bleached in his own hypo. Unexpectedly Callista's fingers itched for a pencil, to draw Peterson's lank face as an expanded kodak. She could ask Cecil for a pencil—no, he was getting up. Hunter had rather lovingly produced a big Manila folder, and now came Cecil's sonorous: "May it please the Court—"
Those would be the photographs of Ann Doherty dead, and Cecil would try to keep out the most lurid ones.
Over Callista swept a weight of memory. Even the smell of the District Attorney's office—tobacco, book leather, a peculiarly penetrating shaving-lotion stink. She saw again the half-star shape of a spot on the wall behind Mr. Lamson's shoulder, an imperfection in the paint like a chip flaked off the man's pinkish face; and the face itself in all detail, slightly ascetic in spite of that healthy glow, under carefully theatrical gray hair. She saw his manicured hand, womanish except for a scattering of black hairs, reaching across the desk to her, in a reek of too much hygiene and primping, presenting a Manila folder like the one Hunter now cherished, possibly the same one. "By the way, Miss Blake—" tone polite, fruity, luscious with some kind of enjoyment that perhaps the man himself did not recognize—"you might glance at this folder, if you will."
So I held her in my hand. Ann's arms reached upward in rigor out of the shadow of earth, for in that first photograph they had let the drowned girl lie on her back while the camera peered impersonally at wet skirt tumbled down from flexed thigh (the knee discolored), and soaked white underpants, the position pointlessly (accidentally?) erotic: Death, my lover. Accidental surely, for the camera had given a sharper focus to the bedabbled mouth, darkened cheeks, empty eyes. Why must the small breasts push up so urgently? Why, a happen-so: she was drifting face down, arms and bent knee probably holding her up a little from the pond's bottom, when rigor began—all right, I understand. The lifted hands were a blur, foreshortened, ghostly; innocently acquisitive hands transformed to shadows incapable of holding fast to anything, even pity.
The second picture was an enlargement of the face to life size, no detail spared. Drops of pond water blurred the eyes; a black twig was caught in water-soaked hair. Discoloration, and foam.
The third picture was one taken at the morgue, after rigor had passed off, and though the face was still a comment on the brevity, the insecurity of beauty and warmth, Ann's no longer vulnerable nakedness conveyed no great sorrow. It was just a portrait of death; apart from the drowned face, not unlovely. Callista remembered that in Mr. Lamson's office she had very nearly remarked aloud: "Never knew she'd had an appendectomy." The lividity, yes; but one could think of that as simply the shadow of death. This photograph, Callista supposed, would hardly go to the jury, for in the morgue nobody had bothered to toss a prudish towel over the innocent little triangle. Maybe they had fixed up another one for the purpose, that wouldn't distress the sensibilities of Mr. Emmet Hoag. Yes, granted, certainly, that Ann had been very pretty and desirable, a long time ago.
Callista recalled what it was she actually said aloud in Mr. Lamson's office: "I'd like to be sure I understand. If these pictures shock me, that's evidence of remorse, in other words guilt. If I don't display any shock, that means unnatural coldness; in other words, guilt. Is that correct?"
Someone behind the chair in Lamson's office where she sat facing the desk light had made a noise. Not T. J. Hunter; Sergeant Rankin maybe; or could it have been that young Sergeant, Samuel Arthur Shields? An indistinct word or suppressed grumble; not significant, but Mr. Lamson's cool gaze had flicked upward at the sound, not liking it. "No, Miss Blake, I don't think you have it quite correct. A girl of your intelligence and background ought not to be taking that world-is-all-against-me attitude. One expects it from common criminals—we look for it—but surely not from you."