3
This was dawn: vision out of the dark: ripples of music coalescent in one forest voice moving toward a crescendo of daytime.
Paul watched a spreading of color in the leaves, a shift from black to gray to a loveliness more green than red; the trees were massively old, with varied bark of green or purple-brown. Phantoms in the more distant shadows could be understood now that light was advancing: they were thick trees with a white bark like that of the never-forgotten birches of New Hampshire. Underfoot Paul felt a humus that might have been a thousand years in growing; he prodded it with his knife—a white worm curled in mimic death.
Everywhere purple-leaved vines, vastly proliferating, climbed in a riot of greed for the sunlight of the forest ceiling. Paul sensed a mute cruelty in them, a shoving lust of growth. It might have been these, elastically yielding, that had saved the lifeboat from total ruin.
Overnight the gravity of Lucifer had become natural. His close-knit body accepted and relished it, finding a new pleasure in strength: thirty-seven years old and very young.
One tiny voice was near, persistent. Paul walked around the boat, where Dorothy and Wright still slept. The starboard wing, parting from the lifeboat, had gashed a tree trunk, littering the ground with branches. The source of the voice was a brown lump, twenty feet up, clinging head downward, a body small as a sparrow's, wings folded like a bat's. As he watched they spread, quivered, and relaxed. Head and ears were mousy, the neck long, with a hump at its base. The throat pulsed at each cry. Near Paul's foot lay a fabric like an oriole's nest, fastened to a twig that had been torn from the tree. Three young had tumbled out. One was not mangled but all were dead, hairless, poignantly ugly. "Sorry, baby—our first act on Lucifer." The parent creature made another abortive motion as Paul took up the young.
Its high lament was not what he and Dorothy had heard in the night. That had been continuing when he slipped out to watch for dawn, and it had ended at some unnoticed moment—profoundly different, surely far off....
He tried to study the dead things as Sears Oliphant would want to do. Two were hopelessly torn; he dug a hole in the humus and dropped those in, smoothing the surface, wondering at his need for an act which could mean nothing to the unhappy morsel of perception on the tree trunk. The third, and the nest, he carried around the boat where the light was better.