Crossing quickly to the building I walked along it seeking an entrance. It was three stories high. I saw at least two towers. Many of the windows were barred, but not all. Behind one of those barred windows, perhaps, was Nalte. The task before me was to discover which.

I dared not go to the front of the palace lest I be questioned by the guard. Presently I discovered a small door; it was the only door on this side of the building, but it was securely locked. Carrying my investigation further, I came to an open window. The room beyond was unlighted. I listened but heard no sound; then I vaulted quietly to the sill and dropped within. At last I was inside the palace of the jong of Morov.

Crossing the room, I found a door on the opposite side; and when I drew it open I saw a dimly lighted corridor beyond. And with the opening of the door sounds from the interior of the palace reached my ears.

The corridor was deserted as I stepped into it and made my way in the direction of the sounds I had heard. At a turning I came to a broader and better lighted corridor, but here dead men and women passed to and fro. Some were carrying dishes laden with food in one direction, others were bearing empty dishes in the opposite direction.

I knew that I risked detection and exposure, but I also knew that it was a risk I must take sooner or later. As well now, I thought, as any time. I noticed that these corpses were painted in the semblance of life and health; only their eyes and their shuffling gait revealed the truth. My eyes I could not change, but I kept them lowered as I shuffled into the corridor behind a man carrying a large platter of food.

I followed him to a large room in which two score men and women were seated at a banquet table. Here at last, I thought, were living people—the masters of Kormor. They did not seem a very gay company, but that I could understand in surroundings such as theirs. The men were handsome, the women beautiful. I wondered what had brought them and what kept them in this horrid city of death.

A remarkable feature of the assemblage was the audience that packed the room, leaving only sufficient space for the servants to pass around the table. These people were so well painted that at first I thought them alive too.

Seeing an opportunity to lose my identity in the crowd, I wormed my way behind the rear rank and then gradually worked my way around the room and toward the front rank of the spectators until I stood directly in rear of a large, thronelike chair that stood at the head of the table and which I assumed to be Skor's chair.

Close contact with the men and women watching the banqueters soon disclosed the fact that I was doubtless the only living creature among them, for no make-up, however marvelous, could alter the expressionlessness of those dead eyes or call back the fire of life or the light of soul. Poor creatures! How I pitied them.