Tarzan and the Ant Men

by Edgar Rice Burroughs

"He belongs to Zoanthrohago," replied the warrior.

The slave ran quickly to one of the shelves from which he selected a green tunic. From another he took two large, wooden blocks upon the face of each of which was carved a different device. These he covered evenly with some sort of paint or ink, slipped a smooth board inside the tunic, placed one of the dies face downward upon the cloth, tapped it smartly with a wooden mallet several times and then repeated the operation with the other die upon the reverse side of the tunic. When he handed the garment to Tarzan with the instructions to don it the ape-man saw that it bore a device in black upon the breast and another upon the back, but he could not read them—his education had not progressed thus far.

The slave then gave him a pair of sandals and when he had strapped these to his feet the warriors motioned him on down the corridor, which, as they proceeded, he was aware changed rapidly in appearance. The rough bowlder walls were plastered now and decorated with colored paintings portraying, most often, battle scenes and happenings of the hunt, usually framed in panels bordered in intricate, formal designs. Vivid colorings predominated. Many-hued candles burned in frequent niches. Gorgeously trapped warriors were numerous. The green-tunicked slave almost disappeared, while the white tunics of the higher caste bondsmen were of richer material and the slaves themselves often resplendently trapped with jewels and fine leather.

The splendor of the scene, the brilliancy of the lighting, increased until the corridor came to an abrupt end before two massive doors of hammered gold in front of which stood gorgeously trapped warriors who halted them and questioned the commander of the escort as to their business.

"By the king's command we bring the slave of Zoanthrohago," replied the commander; "the giant who was taken prisoner at Trohanadalmakus."

The warrior who had challenged them turned to one of his fellows. "Go with this message and deliver it to the king!" he said.

After the messenger had departed the warriors fell to examining Tarzan and asking many questions concerning him, to few of which could his guard give more than speculative answers, and then, presently, the messenger returned with word that the party was immediately to be admitted to the king's presence. The heavy doors were swung wide and Tarzan found himself upon the threshold of an enormous chamber, the walls of which converged toward the opposite end, where a throne stood upon a dais. Massive wooden columns supported the ceiling, which was plastered between its beams. The beams as well as the columns were ornamented with carving, while the plastered portions of the ceiling carried gorgeous arabesques in brilliant colors. The walls were paneled to half their height, and above the paneling of wood were painted panels which Tarzan assumed depicted historical events from the history of Veltopismakus and her kings.

The room was vacant except for two warriors who stood before doors that flanked the throne dais, and as the party moved down the broad center aisle toward the throne one of these warriors signaled the leader and motioned to the door which he was guarding and which he now threw open before them, revealing a small antechamber in which were half a dozen handsomely trapped warriors seated on small, carved benches, while a seventh lolled in a high-backed chair, his fingers tapping upon its broad arms as he listened to the conversation of the others, into which he threw an occasional word that always was received with deepest attention. If he scowled when he spoke, the others scowled still more deeply; if he smiled, they broke into laughter, and scarcely for an instant did their eyes leave his face, lest they miss some fleeting index of his changing moods.

Just inside the doorway the warriors who were conducting Tarzan halted, where they remained in silence until the man in the high-backed arm chair deigned to notice them, then the leader knelt upon one knee, raised his arms, palms forward, high above his head, leaned as far back as he could and in a monotonous dead level intoned his salutation.

"O, Elkomoelhago, King of Veltopismakus, Ruler of All Men, Master of Created Things, All-Wise, All-Courageous, All-Glorious! we bring thee, as thou hast commanded, the slave of Zoanthrohago."