Tarzan took Balza by the shoulders and wheeled her about until she faced him. "These are my people," he said. "Their ways are not as your ways. If you quarrel with them I shall send you away. These shes are your friends."

Every one was staring at Balza with open admiration, Orman with the eye of a director discovering a type, Pat O'Grady with the eye of an assistant director—which is something else again.

"Balza," continued the ape-man, "go with these shes. Do as they tell you. They will cover your beautiful body with uncomfortable clothing, but you will have to wear it. In a month you will be smoking cigarettes and drinking high balls; then you will be civilized. Now you are only a barbarian. Go with them and be unhappy."

Every one laughed except Balza. She did not know what it was all about; but her god had spoken, and she obeyed. She went with Rhonda and Naomi to their tent.

Tarzan talked with Orman, Bill West, and O'Grady. They all thought that he was Stanley Obroski, and he did not attempt to undeceive them. They told him that Bill West had spent half the previous night trying to scale the escarpment. He had ascended far enough to see the camp fires of the safari and the headlights of some of the trucks; then, forced to abandon his attempt to reach the summit, he had returned and led the others to the main camp.

Orman was now enthusiastic to go ahead with the picture. He had his star back again, his leading woman, and practically all the other important members of his cast. He decided to play the heavy himself and cast Pat O'Grady in Major White's part, and he had already created a part for Balza. "She'll knock 'em cold," he prophesied.

XXXII

GOOD-BYE, AFRICA!

For two weeks Orman shot scene after scene against the gorgeous background of the splendid river and the magnificent falls. Tarzan departed for two days and returned with a tribe of friendly natives to replace those that had deserted. He led the cameramen to lions, to elephants, to every form of wild life that the district afforded; and all marvelled at the knowledge, the power, and the courage of Stanley Obroski.

Then came a sad blow. A runner arrived bringing a cablegram to Orman. It was from the studio; and it ordered him to return at once to Hollywood, bringing the company and equipment with him.