Close to the farther door and half hidden by the warriors who stood before him was Lu-don, the high priest. Tarzan glimpsed him but briefly but in that short period he was aware of a cunning and malevolent expression upon the cruel countenance that he was subconsciously aware boded him no good, and then with Ko-tan he passed into the adjoining room and the hangings dropped.
At the same moment the hideous headdress of an under priest appeared in the entrance of the outer chamber. Its owner, pausing for a moment, glanced quickly around the interior and then having located him whom he sought moved rapidly in the direction of Lu-don. There was a whispered conversation which was terminated by the high priest.
"Return immediately to the quarters of the princess," he said, "and see that the slave is sent to me at the temple at once." The under priest turned and departed upon his mission while Lu-don also left the apartment and directed his footsteps toward the sacred enclosure over which he ruled.
A half-hour later a warrior was ushered into the presence of Ko-tan. "Lu-don, the high priest, desires the presence of Ko-tan, the king, in the temple," he announced, "and it is his wish that he come alone."
Ko-tan nodded to indicate that he accepted the command which even the king must obey. "I will return presently, Dor-ul-Otho," he said to Tarzan, "and in the meantime my warriors and my slaves are yours to command."
11
The Sentence of Death
But it was an hour before the king re-entered the apartment and in the meantime the ape-man had occupied himself in examining the carvings upon the walls and the numerous specimens of the handicraft of Pal-ul-donian artisans which combined to impart an atmosphere of richness and luxury to the apartment.
The limestone of the country, close-grained and of marble whiteness yet worked with comparative ease with crude implements, had been wrought by cunning craftsmen into bowls and urns and vases of considerable grace and beauty. Into the carved designs of many of these virgin gold had been hammered, presenting the effect of a rich and magnificent cloisonne. A barbarian himself the art of barbarians had always appealed to the ape-man to whom they represented a natural expression of man's love of the beautiful to even a greater extent than the studied and artificial efforts of civilization. Here was the real art of old masters, the other the cheap imitation of the chromo.